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Surround Sound For HD Broadcast

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While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

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In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

New developments in mobile HD production

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When widescreen HDTV was first demonstrated back in the 1980s, the pictures were great but the size and price of the kit left much to be desired. Two decades on, broadcast-quality 1080i/720p HD cameras and recorders have reached levels of compactness and affordability that would have seemed impossible in those early days. When I designed the origin...

Submitted by Dennis Lennie

Published 01 January 2009

How and where to do your Post Production.

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The world of professional editing and post production has changed dramatically in the last few years. The biggest of the barriers to entry – (cost), has all but disappeared with the advent of desktop editing solutions. Manufacturers like Apple and Adobe and even Avid have made this possible with products like Final Cut Studio 2 and Adobe’s CS3 Prod...

Submitted by Dennis Lennie

Published 01 December 2008

New editing essentials

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I like to think of myself as a bit of a pioneer at the frontier of the new age of HD Digital Cinematography. Investigating the best of the new technology available to our industry and evaluating its possible impact. I ‘d like to explain the impact of some of the particular examples of this today starting with:-XDCam EX Tapeless HD Camcorders. One w...

Submitted by Dennis Lennie

Published 01 December 2008

The largest fibre and Ethernet video SAN network in the w...

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Out of the Ashes of the old Anglian TV studios EPIC has risen like a phoenix to become not only a major broadcasting hub in Norfolk but to rival traditional studios throughout Europe. With the financial backing of Norfolk County Council and the East of England development agency, EPIC has converted the old TV studios and installed a state of the ar...

Submitted by Dennis Lennie

Published 01 December 2008

The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008