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CVP Helps Productions Choose the Right Lens for the Job


CVP Technical Specialist, Sam Measure, on how the company’s free online Lens Coverage and Camera Comparison tool is giving something back to the filmmaking community. One of the standout trends over the past year has been the move to shooting Full Frame, with more and more productions choosing to go down this route for the special look it brings to...

Submitted by Sam Measure
Published 27 January 2020

REVIEW Canon UJ111x8_3B UHD Lens


Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie
Published 10 September 2019

GoPro HERO 7 Review


When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. Scythes, water, and wildlife that excrete things are not normally co...

Submitted by Tim Bearder
Published 09 November 2018

Panasonic GH5: Tried and Tested


My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder
Published 12 February 2018

A bluffers guide to image stabilisation


i(Due to the number of image references this articleis best read via the digital magazine on the link above)This month’s article is about Jelly. Unfortunately, not the kind that can be served with whipped cream after about four hours in the fridge (sorry) – but instead the video artefact seen from improperly stabilised video cameras. One of the gre...

Submitted by Mike Colyer
Published 19 October 2017

Canon CN-E 18-80mm T4.4 Review


i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff
Published 07 September 2017

5 Things I Saw At NAB


by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2
Published 13 May 2016

The key to stability


by Mark Scotton Issue 106 - October 2015 Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywo...

Submitted by Mark Scotton
Published 01 November 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

NAB 2015 Highlights


by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh
Published 01 June 2015

Rise of the drones


by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben
Published 01 May 2015

All I want for Christmas...


by Peter Savage Issue 96 - December 2014 As if no time has passed since last Christmas, the festive season is upon us and Xmas cheer is all around. Sticking with our own tradition of a themed view on the broadcast industry specifically, and the wider economy in general, here are our wish lists for Santa. Five wants A good story about the banking...

Submitted by KitPlus
Published 01 January 2015

Winner of the most viewed interview award


We're happy to announce the launch of the new JVC GY-HM70 shoulder mounted camcorder. This new model offers a professional appearance together with excellent image results in low-light situations, making it ideal for videographers working at weddings and other special events. Offering superior image stabilisation and loaded with new features for en...

Submitted by KitPlus
Published 01 July 2013

Eye to Eye: Video Post-production


This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#
Published 01 February 2012

IBC2011 must sees


Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains...

Submitted by Bob Pank#
Published 01 September 2011