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Meptik Equips Miami University with State-of-the-Art XR S...


In a grand ribbon-cutting ceremony at the newly constructed Richard M. McVey Data Science Building, Miami University proudly revealed its latest technological marvel — an extended reality (XR) stage for the education of students in real-time workflows. Meptik, the leader in creative and technical services for virtual and immersive productions, spea...

Submitted by Liaison PR
Published 18 March 2024

Where Are You in Your Cloud Adoption Strategy


By Chris McCarthy, VP Media Solutions at TMT Insights The Media and Entertainment technology industry continues to evolve in its journey from on-premises infrastructure and workflows to the cloud-native landscape notably described in MovieLabs’ 2030 Vision whitepaper. Most major studios and content creators have adopted the cloud for some portio...

Submitted by Chris McCarthy
Published 27 February 2024

Edmonton Oilers Engage Their Content-Hungry Fans with Liv...


Edmonton Oilers Engage Their Content-Hungry Fans with LiveU Longtime Edmonton Oilers’ Manager of Video Production, Ryan Hyrcun has been a big believer in digital media since the beginning. He first brought content to diehard fans of the NHL team via social media channels, then helping to launch Oilers+, a streaming platform that gives fans exclu...

Submitted by Joss Armitage
Published 18 January 2024

Prioritizing Localization Earlier in the Media Supply Cha...


The surge of content localization is a prolifically discussed topic, and it’s no secret that localization has become essential for content providers, streaming platforms, and broadcast networks to monetize their content, attract new subscribers and viewers, and ultimately provide more culturally relevant content. What was often a scalable investmen...

Submitted by Shawn Belluigi
Published 05 October 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...


Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna
Published 27 June 2023

Spotlight on James Gilbert, Director of Product and Solut...


What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert
Published 25 July 2022

A switch in time: how KVM can unlock the future of broadc...


One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the prev...

Submitted by Chris Smeeton
Published 10 March 2022

Rohde & Schwarz integration with Adobe Premiere Pro


Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran
Published 24 February 2022

Avid and Rohde & Schwarz


As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran
Published 15 October 2021

HOLLYLAND LARK 150 Review


HOLLYLAND Lark 150 reviewThe exponential growth of video supercharged a technological revolution that began in the early noughties with the advent of DSLR cameras. The cinematic-style shallow depth of field image video quality from DSLRs was a revelation, but, back then audio was the big drawback. As demand has grown so the technology has improve...

Submitted by Phil Vinter
Published 05 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

ERA IaaS at University of Salford


Seagate Storage Arrays form basis of ERA designed Storage, Edit Management and MAM system for the University of Salford's media and production coursesBACKGROUNDThe University of Salford (UoS) is widely recognised in both academic and professional circles as a leading educational establishment in acoustics and media production. In 2011 the Universit...

Submitted by KitPlus
Published 21 December 2020

In Ear Monitors Help The Cast And Crew of Americas Got Ta...


Capturing performances for television is a stressful business, especially if the programme is being filmed live. You want everything to be perfect but you are also aware that many things can go wrong, even with the best laid plans. Reducing the list of potential disasters is therefore high on any production crew’s agenda and one area where it is po...

Submitted by KitPlus
Published 21 December 2020

Using Modern Technology at Envy Provides a View into the...


As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer
Published 09 December 2020

TVFutures My Dive in to Learning


In 2014 I had my first taste of underwater diving. I was on a family holiday and I happened across the experience of a lifetime. Within the first few minutes of that adventure I had decided that I wanted to be part of the diving world going forward. After countless dives and extensive training to become a scuba diving instructor, I made the decisio...

Submitted by Lucy Crow
Published 26 March 2020