KitPlus | Articles

State of the Nation - November 2018

There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new

Published 09 November 2018

Betting Industry Transformed by Video Technology

In the betting and gaming industry, the streaming of live sports from across the globe is a big business. It’s proven that revenues increase when bettors are able to watch the event that they have placed a bet on, providing a far more engaging experience. At Sports Information Services (SIS), we transmit in excess of 620,000 hours of live sports co...

Submitted by chris thornton

Published 07 June 2018

Live Remote Production Over IP

As broadcasters migrate to a more ubiquitous IP transport and switching network infrastructure, a key benefit is that the variable expenditures of remote on-site live productions can be dramatically reduced, as it is no longer necessary to carry the high field costs associated with these activities. The broadcast studio can now be seamlessly connec...

Submitted by John Smith -new

Published 04 April 2017

Live streams versus srowing files

So, what is the difference between a stream and a file? It may seem like a dumb and obvious question, but it's crucial in the design of many file based workflows and the applications that drive them. Let's start with the basic and obvious answer. "You can random access a file but you sequentially process a stream". This used to be important back in...

Submitted by Bruce Devlin

Published 26 September 2016

Reducing the costof live production

Prime time ratings are declining. Viewers can now watch their favourite shows plus new programming where and how they want and it customer loyalty is fast becoming a trait of the past. However, one area which is still continues to attract significant audience figures is live TV, particularly live sporting events. For example: it was estimated that...

Submitted by John Smith

Published 26 September 2016

IP for live production

The production and transmission of a live sporting event is one of the most technically challenging assignments for any crew. After all, you can't ask to take the shot again at a live event! Multiple signals in a variety of formats need to be transmitted around the sporting venue, as well as being seamlessly integrated with feeds from a studio or o...

Submitted by John Smith

Published 01 April 2016

Ask the experts: Content readiness in time-deferred workf...

by Sudeep BoseIssue 79 - July 2013 What are the fundamental considerations that must be addressed to ensure the quality of non-real-time content, whether played out from a broadcasters media server or time-shifted for VOD and other OTT services?When focusing on the actual content itself, rather than the service, network or other components, the key...

Submitted by Sudeep Bose

Published 01 August 2013

Ask the Experts: Content Storage, Security, Archive and M...

The media and entertainment industry is currently experiencing an unprecedented level of financial pressure. This comes from not only the turbulent economic era in which we are living, but also from increased competition and the need to repurpose content for consumption on different platforms and devices. In order to succeed, businesses need to do...

Submitted by Bob Pank#

Published 01 October 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

Eye to Eye: Video Post-production

My first direct experience of video post-production involved hauling a heavy Sony U-Matic tape machine up a flight of stairs before going back for an equally heavy playback deck, a bulky CRT monitor and a large box of interface giblets. That was in 1978. 33 years on, an Apple Mac does the whole editing job a great deal better, faster and more econo...

Submitted by Bob Pank#

Published 01 May 2011

Doremi Silver Anniversary

It was 25 years ago that Doremi founder and CEO Camille Rizko, invented a better way to perform digital audio for postproduction. He was joined by his brother Emil, and fellow engineer Safar Ghazal. And so from humble beginnings in the San Fernando Valley, California, the Doremi partners have never looked back. In 1985, the entertainment industry w...

Submitted by Bob Pank#

Published 01 May 2010

Converting for displays

Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie

Published 01 September 2009