KitPlus | Articles

New Year, New Decade, New Rig

Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod

Published 27 January 2020

Joanna Cuper - Demonstration Technician CVP

What is your role at CVP?I’m a demonstration technician at our Midlands office. What does that involve?My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from sim...

Submitted by Joanna Cuper

Published 03 November 2019

IBC 2019 A Whistle Stop Rundown

I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff

Published 03 November 2019

To Remotely Go - TVFutures

Charlie Watts: "One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen s...

Submitted by Michael Parsons

Published 10 September 2019

Make Time for Remapping

For my 4th Kitplus article I thought I’d highlight an effect in Premiere Pro that frankly I would be lost without. Namely - time remapping. I own and work with a Sony FS7 (other cameras are available) - and given that it’s now one of the most popular cameras in UK broadcast today I’d be willing to guess most editors will have come across the clips...

Submitted by Alex Macleod

Published 16 July 2019

BSC Expo 2019 Report

BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling. BenQ showed examples from its range of mon...

Submitted by Paul MacKenzie

Published 21 March 2019

TV Futures - The Shadowing Experience

My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should com...

Submitted by Daniel Jones

Published 21 March 2019

Your two week editing future

So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins. When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation. As someone who gets hired to...

Submitted by Alex Macleod

Published 25 January 2019

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...

Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes

Published 18 July 2018

Slow Motion Video Techniques

Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil

Published 07 June 2018

Canon C200: Tried and Tested

There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us –...

Submitted by Ben Sherriff

Published 12 February 2018

Looking back at IBC 2017

IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri. Among th...

Submitted by Duncan Payne

Published 02 November 2017

Atomos Ninja Inferno REVIEWED

Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters

Published 19 October 2017

A 360 degree view of fashion

Im often asked, what do you do when the students arent around?, and the simple answer is, as it would be from any university technical support member of staff, I get involved in passion projects and these help me to stay up-to-date with the kit and keep my hand-in with video filmmaking. So, in April this year the Faculty of Creative and Cultural In...

Submitted by Michael Parsons

Published 19 October 2017

Canon CN-E 18-80mm T4.4 Review

i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff

Published 07 September 2017