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Back to Basics with IP Video Production

Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson

Published 19 October 2017

7 must sees at IBC 2015

by Beth Zarkhosh Issue 105 - September 2015 IBC, the annual broadcasting event that brings professionals in the media industry together has been running since 1967. Each year brings new excitement and innovation to the event held in Amsterdam. Originally aimed at purely the technical broadcasting industry, IBC (International Broadcast Convention) a...

Submitted by Beth Zarkhosh

Published 01 October 2015

The evolution of vision mixers

by Liam Laminman Issue 104 - August 2015 At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relativ...

Submitted by Liam Laminman

Published 01 September 2015

Manage and Monitor

Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#

Published 01 November 2014

Take control with Helm

Control and monitoring are two of the biggest issues faced in playout operations. Broadcasters and playout providers want to be able to select precisely the equipment that they need and probably more so than ever, are now able to very accurately do that. But this, combined with the fact that previously largely ‘static’ devices are now empowered by...

Submitted by Kieron Seth#

Published 01 December 2012

An Epic Journey for the Summer Games

With the abundance of international sporting events taking place this summer, broadcast technologies and logistics are being put to the test across the board. Beyond the typical coordination and on site expertise required for broadcasts, many companies face not only longer engagements but aggressive turnaround times and long travel distances betwee...

Submitted by Bob Pank#

Published 01 September 2012

Tally systems and Confidence Audio Monitoring for Sports...

Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#

Published 01 September 2012

NETWORKING AND THIRD PARTY CONTROL

Since the advent of digital technologies, the way audio and video is controlled and transported around broadcast facilities has been constantly evolving in the search for greater efficiencies and improved workflows. Today, broadcasters are demanding more and more versatility and integration from their equipment, and in turn, the capabilities now av...

Submitted by Bob Pank#

Published 01 June 2012

Im a celebrity get me out of here

Gearhouse Broadcast was awarded the contract to supply broadcast equipment and some crew for Granada Productions “I Celebrity Get Me Out of Here” in 2008. Since that time we have been involved in two UK shows and one German show in Australia plus a USA show in Costa Rica. Planning for these shows is an all year round exercise as the UK show is Dece...

Submitted by Dennis Lennie

Published 01 February 2010

A day in the life of a TV lecturer

0830The Dorset country lanes give way to the flood of traffic into Poole and Bournemouth as I negotiate the rush hour streaming into the seaside town. Driving past Poole Harbour, home of Sunseeker Yachts and the RNLI reminds me that yacht I once dreamed of is still a dream. However, the job I once dreamed of became a reality when I became a televis...

Submitted by Dennis Lennie

Published 01 July 2009

Mixing with the wildlife on Big Cat Live

A crew of 73 travelled out from the UK for 6 days of BBC’s ‘Big Cat Live’ programmes from Kenya early in October. Most of us were flown in on single engine cessnas which took us from Nairobi across the great Rift valley & down towards Tanzania. From the moment we touched down on the rough dirt & asphalt landing strip in the middle of the Masai Mara...

Submitted by Dennis Lennie

Published 01 March 2009