KitPlus | Articles

The Importance of Audio Production Systems

Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles

Published 26 March 2020

The Evolution of Audio Monitoring

Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest l...

Submitted by Stephen Brownsill

Published 16 July 2019

The Latest Trend in Cloud Ingest Portals

The unique demands of the media industry have created an equally unique ecosystem. With high-resolution video constantly moving over the Internet during production, post production, and multi-device, multi-channel distribution, as well as the need for flexible storage and security at every stage — all under impossibly tight timelines — there isn’t...

Submitted by Megan Cater

Published 04 June 2019

An Epiphany Moment

I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I w...

Submitted by Peter Savage 2

Published 09 November 2018

Remote Production - Speed, Control, Infrastructure

i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new

Published 01 August 2017

What happened to audio networking

i It may seem hard to believe, but audio networking has now been with us for over 20 years. In 1996, Peak Audio released CobraNet, the first system that used computer networking of some sort to transport audio. Looking at that early system, it wasn\'t easy to see all the benefits that were to come. Yes, you eventually got up to 64 channels on a sin...

Submitted by Brad Price

Published 01 August 2017

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

New Upmixing Challenges and Strategies for Audio Post-pro...

by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016

No broadcast without flawless communication

Issue 105 - September 2015 Reliable and fail-safe communications for the broadcast of live events are more important than ever. On site, broadcasters only have one chance to grab the perfect image for the viewer with time being a crucial factor. The larger the event, the more viewers it reaches and the higher the risk that something could go wrong....

Submitted by KitPlus

Published 01 October 2015

Expanding Arqiva into HD playout

ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#

Published 01 January 2015

At the forefront of digital asset management and publishi...

by Ian Mottashed Issue 91 - July 2014 Endemol is the largest independent television and digital production company in the world. Within 30 countries it has a global network of around 90 companies which produce over 350 multi genre series a year. Across the 90 companies there are currently around 29,000 hours of content being distributed. The produc...

Submitted by Ian Mottashed

Published 01 August 2014

Problems and solutions in audio

by Mike Law Issue 89 - May 2014 BCD Audio is a UK manufacturing and design company specialising in audio products for the global broadcast and professional market. Mike Law is company managing director and also head of design. He is a member of the IET and the AES. He presents here several case studies to illustrate how the company has been able to...

Submitted by Mike Law#

Published 01 June 2014

QSC Sound Reinforcement System Supports Daft Punk, Michae...

Over the past 12 months, London-based audio and lighting equipment supply and rental business Podd Sound has increasingly turned to a QSC WideLine-8 line array for sound reinforcement at the PAs, live webcasts, launch parties and live performances that form a major part of its business. Since last year, founder Mat Pod has worked for some of the ho...

Submitted by KitPlus

Published 01 June 2014

Object of desire

by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#

Published 01 June 2014

War House goes live in 4K

Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus

Published 01 April 2014