KitPlus | Articles

Where Are You in Your Cloud Adoption Strategy

By Chris McCarthy, VP Media Solutions at TMT Insights The Media and Entertainment technology industry continues to evolve in its journey from on-premises infrastructure and workflows to the cloud-native landscape notably described in MovieLabs’ 2030 Vision whitepaper. Most major studios and content creators have adopted the cloud for some portio...

Submitted by Chris McCarthy

Published 27 February 2024

Prioritizing Localization Earlier in the Media Supply Cha...

The surge of content localization is a prolifically discussed topic, and it’s no secret that localization has become essential for content providers, streaming platforms, and broadcast networks to monetize their content, attract new subscribers and viewers, and ultimately provide more culturally relevant content. What was often a scalable investmen...

Submitted by Shawn Belluigi

Published 05 October 2023

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

Honey, I shrank the data. How DNA storage could reduce th...

By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

Spotlight on Karl Mehring, Director of Professional Servi...

How has the role of Professional Services evolved in recent years?Installation of equipment has always been important and has primarily been in-person. While in-person is still a requirement for some products, we are increasingly seeing a move towards remote set-up and support. The pandemic accelerated this transition; we had to innovate and find a...

Submitted by Karl Mehring

Published 29 June 2022

The Future of Broadcast Technology

1. What vision do you have of the broadcast technology business beyond 2030? Now that OTT and VOD have become more mainstream, many commentators talk about traditional broadcast methods, like terrestrial transmission, being a thing of the past. With so many new platforms and non-traditional content services carving out a growing slice of the marke...

Submitted by Manfred Reitmeier

Published 01 June 2022

A switch in time: how KVM can unlock the future of broadc...

One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the prev...

Submitted by Chris Smeeton

Published 10 March 2022

The Cloud - a measured approach

With the buzz of ‘cloud’ everywhere in our industry it would be natural to think that cloud is the only game in town. Isn’t it time to step back and consider very carefully how, or whether, you make that journey to the cloud?The pandemic has been front and centre in our minds for close to two years now. Overnight, facilities had to either shut down...

Submitted by Ciaran Doran

Published 07 December 2021

ERA IaaS at University of Salford

Seagate Storage Arrays form basis of ERA designed Storage, Edit Management and MAM system for the University of Salford's media and production coursesBACKGROUNDThe University of Salford (UoS) is widely recognised in both academic and professional circles as a leading educational establishment in acoustics and media production. In 2011 the Universit...

Submitted by KitPlus

Published 21 December 2020

ITN using Densitron Intelligent Display System across mul...

Currently marking its 65th anniversary, Independent Television News (ITN) is one of the UK’s most prominent and respected television production companies. Although it has increasingly diversified into producing content such as documentaries and sports programmes, news and current affairs remain the bedrock of its output. From its broadcast centre o...

Submitted by KitPlus

Published 16 December 2020

Using Modern Technology at Envy Provides a View into the...

As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer

Published 09 December 2020

Why Renting is the New Buying

To rent or to buy? This has long been a topic of debate in the world of property, with people having to choose between spending virtually all of their money up front or giving their money away each month with little chance of seeing a return. How does this apply to the media and entertainment sector? Well, the need to constantly evolve to stay ahea...

Submitted by Ed Tischler

Published 26 March 2020

Why Routing Control

Routing control sits at the very heart of all advanced control systems. A well-configured system that manages signal routes throughout a facility and groups multi-level actions into a single control surface allows for much richer and focused production. Using one-touch panels, operators could route video, audio and data signals between the various...

Submitted by Mark Davies

Published 26 March 2020

Accurate Ad Tracking with OTT

As viewers embrace and transition to OTT, the opportunities and flexibility provided to advertisers are growing fast. However, like all technology shifts, this transition hasn’t come without challenges. Some technology used to monetise video over the years has resulted in a less-than-ideal viewing experience, with disruptive transitions and bufferi...

Submitted by Tim Armstrong

Published 26 March 2020

Synced Across Multiple Screens

Live TV viewing habits around the world are changing. This is especially true with audiences under 30 who prefer to consume Live TV on their mobile devices rather than on a large screen TV. One of the major reasons for this change is the lack of options for personalisation of content on Linear TV. Linear broadcast can capture a signal and get it in...

Submitted by Christof Haslauer

Published 26 March 2020