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Avid and Rohde & Schwarz


As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran
Published 15 October 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

New Year, New Decade, New Rig


Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod
Published 27 January 2020

Keeping the Show on the Road


There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme. First-line maintenance is usually in the hands of the user. If a device malfunct...

Submitted by Andy McKenzie
Published 10 September 2019

Preserving the British Film Institute Archive


Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller
Published 21 March 2019

Future proofing post production storage


Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynam...

Submitted by Josh Goldenhar
Published 25 January 2019

Sony PWS-4500 Live Production Server Reviewed


Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie
Published 24 January 2019

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...


Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes
Published 18 July 2018

G-Teching Storage to another level


That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)Ah, the fun of video storage - it may not be t...

Submitted by Phil Vinter
Published 18 July 2018

Interview with Peter Rowsell, Polar Graphics


If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years. Entering his 43rd NAB (yes 43rd, that is NOT a typo!) who better to catch up with t...

Submitted by Polar
Published 26 March 2018

Multi-camera fly-away for live music production


A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2...

Submitted by Aaron Dunleavy
Published 19 October 2017

Understanding the process of video production


i In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional resul...

Submitted by Joseph Adamson
Published 07 September 2017

State of the Nation - part 1


i Imagine you are the director of the Champions League Final, knowing that 200 million people will be watching your every decision. Or you\'re directing the Eurovision Song Contest. Or even, to be honest, the Tunbridge Wells local news opt out. And at live minus 30 seconds, all the screens in the monitor wall suddenly go black then show a demand, i...

Submitted by Dick Hobbs - new
Published 07 September 2017

360 degree video storage requirements


i Swim with bears, run with the bulls, get a pads-eye view of a rocket launch: 360 degree video production, also known as cinematic VR, makes these and many other bucket list-worthy events more accessible than ever. The format has evolved into a powerful storytelling tool, and one that changes not only the way in which visual experiences are shaped...

Submitted by Dave Frederick
Published 07 September 2017

Dick brings out his cutting room scales


At this time of year, in the run-up to NAB, my in-box is even more filled than usual with press releases craving my attention. It is one of the universal truths so unloved by PR people that the sheer weight of numbers threatens to overwhelm. Smart companies use blatant tricks to get you to read. An honourable mention must go to the recent press rel...

Submitted by Dick Hobbs - new
Published 19 May 2017