KitPlus | Articles

Complex Live Streaming At Scale

On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections. Panelists included: David Griggs, Senior Product Manager,...

Submitted by KitPlus

Published 03 November 2019

Making Metadata Work

I dare say that if you’re a keen reader of my column then you will be brushing up on your Dutch pronunciation and acclimatising yourself to mayonnaise on your chips rather than ketchup. If you’re really keen then you’ll also be making sure that you practise your Dutch jokes about the Flemish to ensure you don’t accidentally tell a Flemish joke abou...

Submitted by Bruce Devlin - new

Published 10 September 2019

Covering Ironman Australia

KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, roa...

Submitted by KitPlus

Published 10 September 2019

Keeping the Show on the Road

There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme. First-line maintenance is usually in the hands of the user. If a device malfunct...

Submitted by Andy McKenzie

Published 10 September 2019

Making the Workflow Flow

The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workf...

Submitted by Bruce Devlin - new

Published 16 July 2019

News Out Of The Cloud - Technology At The Front Line Of J...

Throughout history, journalists have always had to seek and adapt to new technologies to deliver news in a format and at a speed that consumers demanded. Today, recent technological changes in the media environment have led to another inflection point. If modern media outlets want to empower journalists to remain agile and turn news stories around...

Submitted by Stuart Almond

Published 16 July 2019

How Broadcasts Can Simplify The Delivery Of Live Video St...

In today’s fast paced environment broadcasters need to quickly, easily, and simultaneously share high-quality live content with multiple affiliates or other broadcast facilities. However, today it’s typical for each third-party transmitter to be connected to its own receiver with its own platform and management system. This results in major TV chan...

Submitted by Phillipe Gonon

Published 16 July 2019

State of the Nation - If Winter Comes

Here’s an important fact that might get lost in all the noise of the moment. HBO’s Game of Thrones, which is relentlessly covered in the press as well as being talked about by its fans, is not actually terribly popular. The opener of the current (and last, thank goodness) series attracted a consolidated audience of about 3.5 million – that includes...

Submitted by Dick Hobbs - new

Published 04 June 2019

NAB 2019 Highlights

The NAB Show in Las Vegas never loses its capacity to surprise. With NHK already transmitting in 8K and the Tokyo Olympics just a year away, this might have been the year that 8K equipment prices descended from the stratosphere to just plain expensive. The main trends at NAB 2019 were an increasing focus on HD-HDR, Media-over-IP and 4K. 8K was pret...

Submitted by Paul MacKenzie

Published 04 June 2019

The Latest Trend in Cloud Ingest Portals

The unique demands of the media industry have created an equally unique ecosystem. With high-resolution video constantly moving over the Internet during production, post production, and multi-device, multi-channel distribution, as well as the need for flexible storage and security at every stage — all under impossibly tight timelines — there isn’t...

Submitted by Megan Cater

Published 04 June 2019

State of the Nation - Drama

If you can remember as far back as the 1980s, then you probably remember a Saturday night drama called Hill Street Blues, written and developed by Steven Bochco. Made for NBC in the States, it was widely shown around the world, including in the UK. It was a pioneer ensemble drama, with no star characters but a lot of individuals – the police office...

Submitted by Dick Hobbs - new

Published 21 March 2019

NAB Intelligence

It\'s that time of year again. 06:30 on road bikes on the Las Vegas Strip with a merry bunch of folks who believe they look good in lycra. As we pedal West up the hill towards Red Rock there will be stories of the year just gone and questions about what to look for at the show. I, for one, will be attending the Devoncroft event to check up on who i...

Submitted by Bruce Devlin - new

Published 21 March 2019

Preserving the British Film Institute Archive

Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller

Published 21 March 2019

Looking for the Silver Lining

According to the World Meteorological Organisation, there are 10 different types of cloud, each of which can be divided further into sub-types. They range from the cirrus, the thin floaty clouds which generally serve only to make the sky look beautiful to the towering, all-embracing cumulonimbus which can deliver fearful quantities of rain – the bi...

Submitted by Harry Grinling

Published 21 March 2019

Remote Teams and Talent

If your studio works with non-local creative talent, you already know that there are opportunities and challenges associated with distributed production and post production. Bridging the distance not only allows you to find the best talent for the job anywhere in the world, it creates the potential for a diverse and globally-minded workforce that b...

Submitted by Megan Cater

Published 21 March 2019