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BSC Expo 2019 Report


BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling. BenQ showed examples from its range of mon...

Submitted by Paul MacKenzie
Published 21 March 2019

Slow Motion Video Techniques


Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil
Published 07 June 2018

Canon C200: Tried and Tested


There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us –...

Submitted by Ben Sherriff
Published 12 February 2018

Panasonic GH5: Tried and Tested


My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder
Published 12 February 2018

Looking back at IBC 2017


IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri. Among th...

Submitted by Duncan Payne
Published 02 November 2017

Canon CN-E 18-80mm T4.4 Review


i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff
Published 07 September 2017

Media Production Show and other news


i So, the 2nd Media Production Show has been and gone. Hands up who went to Islington by mistake? I know at least two people who did. Their secret is safe with me! For me, the sign of a great trade show is when I come away really enthused about an innovative use of existing technology or a brand new product. When I find something that combines both...

Submitted by Duncan Payne
Published 07 September 2017

6


Issue 94 - October 2014Must have or just a dream? Either way these 6 stood out this month Just released is the HERO 4 in two varieties. The Silver has a useful touch screen and 4k at 15fps and the Black shoots 4k at up to 30 fps, has no touch screen but does have upgraded audio amongst other benefits. The new LISHUAI C200S on camera LED light provi...

Submitted by KitPlus
Published 01 November 2014

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

3D Five years on


For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#
Published 01 December 2011

3D Movie Making: Stereoscopic Digital Cinema from Script...


Having indulged for several years in stereo photography of the hand-held cross-your-eyes variety, I was interested to watch the broadcast industry respond to the availability of increasingly affordable flat-panel 3D displays. A critical point in the price threshold has finally been crossed: fast-refresh-rate 22 inch 3D computer monitors using circu...

Submitted by Dennis Lennie
Published 01 November 2009

Eye to Eye: Content Protection 2009


In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie
Published 01 November 2009

The importance of measurements for eye and jitter


‘If it hasn’t got eye and jitter measurements, it’s about as useful as a chocolate teapot’ recalled Paul Nicholls, PHABRIX sales and marketing manager. ‘This was one comment made by a prominent broadcast engineer that stuck with me when we began to research the critical toolset required on the new eye and jitter PHABRIX SxE’. Having taken this to h...

Submitted by Dennis Lennie
Published 01 November 2009

Converting for displays


Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie
Published 01 September 2009

Tv-bay Digital Signage Special Report IBC2009


Sign of the times at IBCDigital signage – the use of video screens or projectors to create dynamic information and advertising displays – has moved on rapidly from technological showcase and niche market to become a mainstream media. Recent research by Multimedia Intelligence predicts a doubling of the market by 2012, with 2.3 million displays in u...

Submitted by Dennis Lennie
Published 01 September 2009