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Prioritizing Localization Earlier in the Media Supply Cha...


The surge of content localization is a prolifically discussed topic, and it’s no secret that localization has become essential for content providers, streaming platforms, and broadcast networks to monetize their content, attract new subscribers and viewers, and ultimately provide more culturally relevant content. What was often a scalable investmen...

Submitted by Shawn Belluigi
Published 05 October 2023

From ISDN to LiveU - an interview with Simon Haywood and...


“Why are people still using SNGs when there’s the reliability, mobility and flexibility of IP-bonding, and that’s without factoring in greater sustainability? It's always surprising to us that some people, when we discuss LiveU with them, still haven't recognised the truly disruptive nature of this technology and the benefits it brings. But that is...

Submitted by Joss Armitage
Published 09 August 2023

PSSI Global Services deploys Appear X Platform for REMI c...


Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti
Published 17 April 2023

Cloud integration: The only way is up


In 2017 we saw the introduction of SMPTE 2110 and since then, the transition to IP has emerged as a priority for broadcasters looking to streamline their operations, decrease their footprint and effectively integrate with an industry in a rapid state of flux. A 2020 survey by Devoncroft found that almost 20% of broadcasters had already deployed SMP...

Submitted by Francois Vaillant
Published 12 January 2022

A Broadcasters Guide to Microservices


The word “microservices” has been creeping into the conversation about software-centric systems recently. Is it really a different approach, what does it mean, and what are the advantages? Anyone who has ever designed a software device will understand the basic principles of modular design. It is easier to keep track of what the whole system is doi...

Submitted by Roger Persson
Published 31 March 2021

Streaming Technologies Explained


(header image courtesy of Wowza) The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. When streaming video to the consumer you often see HLS DASH & CMAF mentioned. HLS is HTTP Live Streaming Dynamic Adaptive...

Submitted by Bruce Devlin - new
Published 17 February 2021

Using Modern Technology at Envy Provides a View into the...


As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer
Published 09 December 2020

MEDIAPRO leads across the audiovisual value chain


MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative services, our portfolio includes everything from content production, to post production, to media and digital asset management, to the acquisition of sports TV rights, and the distribution and broadcast of television...

Submitted by Marc Andreu Valls
Published 14 November 2019

Solving Rigorous Digital Workflow Challenges


Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban
Published 03 November 2019

Live Streaming Workflows Examined


In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button
Published 03 November 2019

IP Technology for Broadcast Audio Routing Systems


As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?IntroductionBy definition, network infrastructure (switches, routers and cables) is protocol and tec...

Submitted by Tom Knowles
Published 10 September 2019

Original KVM or KVM over IP


Intelligent KVM systems for broadcast facilities – advantages, fields of application and challenges for the futureWill the technology used in broadcasting solely consist of IP devices? For years, IP has been entering all areas of life. Especially control room applications as they are typically deployed in broadcasting benefit from the IP revolution...

Submitted by Jochen Bauer
Published 10 September 2019

Covering Ironman Australia


KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, roa...

Submitted by KitPlus
Published 10 September 2019

The World of 12G 4K/UHD Processing


Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/...

Submitted by Varun Patel
Published 16 July 2019

How LiveU Has Changed The Way We Work At ITV Daytime


As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terr...

Submitted by Tim Guilder
Published 16 July 2019