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Wibbly Wobbly Waveforms


The very first analytical electronic instrument, developed in the late 1890s, was the oscilloscope. This used a cathode ray tube (CRT) to paint a graph of voltage on the Y axis versus time on the X axis. Once television became a practical reality in the 1930s, the same instrument was applied to the video output from the camera and became the very u...

Submitted by Bob Pank#
Published 01 November 2012

Multi Function 2D and 3D Signal Monitoring Capability


We find ourselves in a constantly evolving industry with an ever increasing variety of video sources and devices that require monitoring. There is still a significant amount of analogue equipment requiring both composite and component monitoring, and then there is the whole raft of digital video equipment supporting SDI, HDSDI, 3G and now HDMI conn...

Submitted by Bob Pank#
Published 01 December 2011

10 things you must monitor


Everyone will have their own view as to the ‘critical’ items that have to be monitored constantly in broadcast. It was this need to offer a solution to QC that led PHABRIX to create a new range of products moving on from the highly successful PHABRIX Sx hand held products to a rack mount solution. The PHABRIX Rx series was released at NAB this year...

Submitted by Bob Pank#
Published 01 December 2011

Monitoring in the file-based environment


One of the major challenges facing broadcasters and content producers today is quality control. In the traditional model QC was performed by skilled viewers in real time, watching the content on a good monitor alongside a waveform monitor and audio meters to ensure the technical parameters were optimised. That is still critical, although the onus f...

Submitted by Bob Pank#
Published 01 December 2011

On the level


In shooting 3D you naturally have two cameras and two lenses: albeit, there are some weird and wonderful single lens/single sensor contraptions out there. This usually means there are any number of ways each camera lens combination could be producing images with minor are major signal level differences. If these level differences are not dealt with...

Submitted by Bob Pank#
Published 01 July 2011

Achieving Cost-Effective Monitoring of Critical AV Feeds


Broadcasters once were able to transmit a signal up on the satellite and worry only about that feed. Now, with the growth and diversification of audio video (A/V) service handoffs, the points at which feeds enter the facility or are sent out to downstream targets such as cable operators, pay-TV services and other service providers, broadcasters hav...

Submitted by Kieron Seth#
Published 01 July 2011

Ask the experts - Monitoring


What are the latest innovations in monitoring?For both film and broadcast work, in addition to the fact that the picture must be true, without motion artifacts or aliasing, for a lot of applications you can also add that the picture must be processed in real time - less than one frame or one picture in progressive mode – so the main innovations are...

Submitted by Bob Pank#
Published 01 March 2011

Monitoring digital TV signal quality


The new R&S®DVMS1 and R&S®DVMS4 DTV monitoring systems keep track of the quality of digital TV signals – they detect all relevant errors at the RF and transport stream levels. They provide parallel monitoring of up to four signals and carry out in-depth signal analysis. These capabilities combine with an ultra-compact size of just one height unit a...

Submitted by Bob Pank#
Published 01 March 2011

Control and Monitoring with Snell


For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing,...

Submitted by Bob Pank#
Published 01 March 2011

Evaluating Video Monitors


Video monitors have always been a critical component in any broadcasting operation — but they have evolved significantly as the industry-wide migration from analog broadcast to digital SD and HD has placed new demands on the monitoring function. Current products include feature sets that mirror the complexity of today’s monitoring operations, with...

Submitted by Bob Pank#
Published 01 March 2011

Expanding Arqiva into HD playout


ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#
Published 01 December 2010

tv-bay IBC2010 double takes


Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#
Published 01 November 2010

Location test equipment


What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie
Published 01 February 2010

Delivering Superior Quality of Service in IPTV Networks


To maintain differentiation in a competitive triple play market, the key operational challenge for telecommunications operators is how to efficiently deliver superior quality of service (QoS) levels. Intuitive use and simplified presentation of video quality and telecom transmission information are essential to win and keep customers. The video and...

Submitted by Dennis Lennie
Published 01 June 2009