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LIGHTING FOR 3D PRODUCTION


Richard Walch, a photographer and DSLR film-maker from Germany, usually makes spectacular productions dealing with extreme sports. For a 3D special supplement in one of the largest German newspapers, Richard Walch photographed Germany's most famous puppet theatre: The "Augsburger Puppenkiste". The troop is internationally known for its films includ...

Submitted by Bob Pank#
Published 01 January 2012

Without training will there be future for the TV Industry...


It might come as a surprise to you but do you know that there in the UK 80,000 people working in the TV industry. That's 10% of the work force. And some more facts:The UK has overseas programme sales of £980 million. Non-terrestrial TV spends £193 millions on content whilst terrestrial TV spends £2.6 billion on content. Independent producers in the...

Submitted by Bob Pank#
Published 01 January 2012

Lighting Q and A


I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#
Published 01 January 2011

Truth Lies and LEDs


As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#
Published 01 January 2011

HotTips on how to be a better lighting cameraman.


First up, don’t worry too much about HDFor most of my early career I shot with film, not video, so I usually approach things from a film point-of-view. This means I don’t see an awful lot of difference between SD and HD. In my opinion, the extra definition has more of an impact on the make-up team and the set designers because, regardless of what l...

Submitted by Bob Pank#
Published 01 January 2011

Lighting up Yorkshire


The Yorkshire town of Rawmarsh looks like an easy target. Its trolley buses have come and gone and its two train stations were both wrapped up more than 40 years ago. For many years, it was the home of potters and steel workers; it was a mining town from the 15th century, an industry that survived over 500 years until it was closed by a certain rut...

Submitted by Kieron Seth#
Published 01 January 2011

Putting Your Sports Announcers in the Best Light


Sports event remote crews have long fought the challenge of matching light on announce booth talent to the ambient light on the field below. Light on the playing surface during a single event can range from bright sunlight, ducking in and out of clouds, to minimal level artificial light. During daylight hours, without additional light on the talent...

Submitted by Kieron Seth#
Published 01 January 2011

Flipping the Switch to Wireless Lighting Control


Despite the fact that the wider world is increasingly adopting multiple forms of wireless control and communication, the professional lighting industry continues to, by and large, be dominated by the wired link to carry the universal DMX512 control standard. There’s no question that wired DMX512 offers simplicity for point-to-point links to large b...

Submitted by Kieron Seth#
Published 01 January 2011

Rotolight Interview Kit Review


This month we decide to surprise Jim in his cage and see if we could illuminate him with the new Rotolight Interview Kit. Highly portable and extremely user friendly, Jim was beaming all over – pardon the pun. The Rotolight has already been around for a while with many cheaper copies trying to emulate the brand. This new package is good. It’s a com...

Submitted by Bob Pank#
Published 01 November 2010

LightLighting Sky News at the Gherkin


Jeff Randall Live is a new flagship daily business update on the Sky News channel, broadcast from Sky’s Gherkin studio in London. A recent addition to the City skyline, the Gherkin is located at 30 St Mary Axe. Its modern design includes a secondary exterior skin which gives the building its characteristic shape and is said to reduce its energy req...

Submitted by Bob Pank#
Published 01 August 2010

12 Frequently Asked Questions About On-Camera Lighting


1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie
Published 01 December 2009

LED lighting for image creators


Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie
Published 01 December 2009

New Light in the Forbidden City


IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie
Published 01 December 2009

Lighting the X Factor


It’s Friday morning at a television studio in the shadow of Wembley Stadium’s iconic arch and already there are fans and paparazzi outside waiting to catch a glimpse of their favourite contestants and judges arriving for rehearsals. Now three weeks into the live final shows, nine contestants have reached ‘Rock Week’, once again singing for their li...

Submitted by Dennis Lennie
Published 01 December 2009

Lighting series


So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie
Published 01 October 2009