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Ask the experts. Eye & Jitter


Why should TV broadcast engineers be interested in adding Eye and Jitter measurement to their T & M facilities?The call for Eye and Jitter as part of overall video test and measurement lies in the widespread adoption of serial digital interface (SDI) standards for broadcast. Unlike analog transmission in which the image quality gradually degrades a...

Submitted by Dennis Lennie
Published 01 September 2009

Eye to Eye File-based content distribution 2009


The rapidly divergent pattern of broadcast market development resembles the branches of a fast-growing tree. But there is one crucial aspect in which the industry is quite obviously converging: the transition from video and audio to file-based content distribution and delivery. This would have happened anyway given the increasing popularity of the...

Submitted by Dennis Lennie
Published 01 June 2009

PHABRIX storming ahead at NAB with eye and jitter


It is not often that a product is released that encapsulates so distinctly the essence of British ingenuity but the new SxE hand held test and measurement instrument with eye and jitter functionality from PHABRIX may just have set itself in that mould. Having successfully launched the PHABRIX SxA, a three in one portable testing device at IBC2008,...

Submitted by Dennis Lennie
Published 01 June 2009

Audio acquisition and production


Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie
Published 01 February 2009

Camera rigs and lighting


The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie
Published 01 January 2009