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Creating a plan for your video business


by Den Lennie Issue 97 - January 2015 Lets not beat about the bush here. If you have set up a business then the number one priority should be to make money. If you are not seriously focussed on profit then you need to take a long hard look at yourself and ask why did you decide to set up a business at all? If you only want to shoot for art or fun t...

Submitted by Den Lennie
Published 01 February 2015

All I want for Christmas...


by Peter Savage Issue 96 - December 2014 As if no time has passed since last Christmas, the festive season is upon us and Xmas cheer is all around. Sticking with our own tradition of a themed view on the broadcast industry specifically, and the wider economy in general, here are our wish lists for Santa. Five wants A good story about the banking...

Submitted by KitPlus
Published 01 January 2015

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by Alister Chapman Issue 96 - December 2014 First and foremost you need weather protection. Both for you and your equipment. If you are cold and uncomfortable you are not going to be happy and your work may suffer. So item number 1 on my list is a good quality thermal base layer. This should be made of a high quality wicking fabric that draws moist...

Submitted by Alister Champman
Published 01 January 2015

The Autoue Motion Pro camera stabiliser


By Matt LyneThe Autocue Motion Pro camera stabiliser is a brilliant piece of kit for getting high movement shots whilst also maintaining the ability to pan/tilt with ease. It is light compared to similar functioning stabilisers however prolonged use will quickly tire out your arm due to the manner in which you hold it with one hand at almost arms l...

Submitted by Matt Lyne
Published 01 January 2015

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

23 Countries, 93 Load-ins, 106 shows


by Rob Wick Issue 87 - March 2014 Woo what happened there then? Sixteen months of my life gone in a pole swinging, rain drenched, popstar grabbing haze. The Polecam held its own though. I was touring with the band Muse, using the slip-ring narrow head with the Camera Corps HD Camera on the end. I also purchased a rain bag for the back end and the w...

Submitted by Rob Wick
Published 01 April 2014

How to work without batteries


by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns
Published 01 March 2014

Covering the Winter Games for Broadcast


by Mel Noonan Issue 86 - February 2014 This was written a few days before the opening ceremony so news arriving from the front line is of last minute angst for some of the tech teams who go out and perform daily miracles in such unuser-friendly locations year after year. Camera platforms erected in the wrong place, cables lost under a recent snowfa...

Submitted by Mel Noonan
Published 01 March 2014

Near-live production with Softrons multicam logger


by Alastair Owen Issue 85 - January 2014 Berlin-based edelbytes works with German broadcasters for channels such as ZDFkultur, tape.tv and 3sat to deliver coverage of live events music concerts, arts shows with a live audience, comedy and cabaret. But its coverage with a twist. Side-stepping the big-budget satellite van template for live event broa...

Submitted by Alastair Owen
Published 01 February 2014

Lighting our way at IBC


by Simon TillyerIssue 82 - October 2013 One of our duties at trade shows is rolling a camera rig around the various halls whether it be Las Vegas, London or Amsterdam and interviewing exhibitors. Having done this for a few years now we get to use different kit at each event, a deliberate decision, in order to test it out in a real world use and in...

Submitted by Simon Tillyer
Published 01 December 2013

Rising to the occasion


by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook
Published 01 December 2013

The UKs PTZ explosion


by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#
Published 01 December 2013

Streaming Downtown Showdown


by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs
Published 01 November 2013

Ask the experts with Shotoku


by James EddershawIssue 82 - October 2013 Shotoku has been around for quite some time, but for those who may not be familiar, can you explain who you are and what you do?Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products including manual and robotic pedestals as well as v...

Submitted by James Eddershaw
Published 01 November 2013

Placebo Live Performance Shot on Blackmagic Cinema Camera


Issue 82 - October 2013 Alternative rock band Placebo has recorded a live studio set of its new album on the Blackmagic Cinema Camera. The hour long session was filmed at the famous Rak Studios in London and will be featured as bonus material on the bands soon to be released seventh album, titled Loud Like Love. Directed by Charlie Targett-Adams an...

Submitted by KitPlus
Published 01 November 2013