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Revolutionary Rotolight Anova Shoot at BBC Studios

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The Worlds Most Advanced LED Floodlight the Rotolight Anova (www.rotolight.com) was recently the light of choice for a shoot at the home of British Television, with Philip Nash, Multi-Award Winning Photographer and Videographer(www.nash.net) shooting both Video and stills with one of the worlds leading models. The shoot was both indoors against pho...

Submitted by Will Strauss#

Published 01 October 2012

Gold all round

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In my ramblings in the January edition of TV-Bay, I offered some predictions for the year, which included the following:“Television coverage of the Olympics and Paralympics will be extraordinary, capturing all the skill and dedication, elation and heartbreak of the world’s finest athletes. But somewhere in 29 days of intensive, multi-channel broadc...

Submitted by Bob Pank#

Published 01 October 2012

Who wouldnt consider a career in Live sports?

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There are many diverse things in this industry which give me a buzz but I think that live sports coverage is probably pretty near the top of the pile. With a 17yr old son considering his career options I thought it time to introduce him to the world of live sports and SIS LIVE were kind enough to give us a quick tour behind the scenes on the second...

Submitted by Bob Pank#

Published 01 September 2012

An Olympian Effort

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For obvious reasons, the broadcasting world does not generally hold mass-murdering dictators in high esteem. But, in a small way, and despite his many, many faults, the world of television has one such tyrant to thank for the connection between technological innovation and the Olympic Games. And no, this is not a joke. The first handful of modern d...

Submitted by Will Strauss#

Published 01 September 2012

STAYING AHEAD OF THE BBCS QUALITY CURVE

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At True Vision TV, our tagline is “Films that make a difference” – and it’s been our guiding ethos since the company was founded in 1995. We strive to make television that engages viewers with issues that matter, and we produce character-led documentaries that entertain, but also inform and educate. As such, we’ve built a particular reputation for...

Submitted by Bob Pank#

Published 01 May 2012

ARE QUALIFICATIONS RECOGNISED?

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In a recent survey of 1,000 employers in various industries about whether job applicants possess the skills to thrive in the work place, more then half of employers said finding qualified applicants was difficult. It appears that many companies in our industry are pretending that all is well. They must believe because as so many people want to work...

Submitted by Bob Pank#

Published 01 March 2012

Modular Studio Design for the BBC New Broadcasting House...

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In an uncertain World with constantly changing demands and technical formats it is very difficult to plan and build a large facility that will be absolutely fit for purpose when it is finished. This was especially true of the BBC when it considered the needs of New Broadcasting House. Munro Acoustics was given the task of developing a completely mo...

Submitted by Bob Pank#

Published 01 February 2012

Innovation, harmonisation, simplification

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You could reasonably argue that “innovation, harmonisation and simplification” is a good motto for designers of any product to bear in mind. It is certainly true for mission critical monitoring, and it is what TSL has tried to do with its range of rack-mounted professional digital audio monitors. Checking audio quality, and particularly levels, at...

Submitted by Bob Pank#

Published 01 December 2011

Thanks for the memory

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If I need to impress on someone just how old I really am, I explain that my first computer had 32kB of Ram. Then we go through the “you mean 32 meg” “no, I mean 32 k” routine. It does seem implausible that, while I managed to write letters on my BBC Model B, today I need half a million times the memory to bash out columns for TV Bay. This is, of co...

Submitted by Bob Pank#

Published 01 July 2011

BBC Academy

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Today’s broadcast industry depends on a mobile workforce of skilled professionals. And in the YouTube age where anyone can upload a film, what distinguishes the professional from the amateur? In short - great training!A recent survey of industry freelancers reveals that more than half rank training as one of the most important factors in developing...

Submitted by Bob Pank#

Published 01 March 2011

Nucoda Film Master builds tension on Mistresses

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Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#

Published 01 September 2010

Getting rid of the horn

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I have to start this column with a statement that may, to some readers, be profoundly shocking. I am not much of a football fan. Indeed, writing this in the immediate aftermath of that dismal Sunday when England’s “finest” succumbed pathetically to the might of the German machine, I have to say I did not watch a moment of the match. There was some...

Submitted by Bob Pank#

Published 01 August 2010

Game, Set and Media Management

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A week into Wimbledon and my chances of getting there this year seemed to be dwindling fast. A late call on Friday afternoon though from Timeline TV rekindled my hopes of not only seeing a bit of tennis but getting an exclusive tour around the Wimbledon Broadcast Centre. Always one to grab the opportunity to see both tennis and kit in action my nex...

Submitted by Bob Pank#

Published 01 August 2010

Supporting the RED

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James Cullen was working as a studio cameraman for the BBC when he was asked by television quiz show favourite CJ de Mooi to shoot a promo for him. The brief was to showcase CJ’s enthusiasm for the Porsche 911 Carrera, and Cullen knew that the production standards had to match the engineering excellence of the car. “I was using a RED One camera whi...

Submitted by Dennis Lennie

Published 01 November 2009

Mixing with the wildlife on Big Cat Live

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A crew of 73 travelled out from the UK for 6 days of BBC’s ‘Big Cat Live’ programmes from Kenya early in October. Most of us were flown in on single engine cessnas which took us from Nairobi across the great Rift valley & down towards Tanzania. From the moment we touched down on the rough dirt & asphalt landing strip in the middle of the Masai Mara...

Submitted by Dennis Lennie

Published 01 March 2009