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Deja Vu

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3D was everywhere at IBC with a choice of new products on offer for all parts of production. This makes 3D far more accessible as well as easier to produce. It was also clear that interested visitors to the show were no longer swayed by the initial ‘wow’ factor and were trying to see the more important things – notably the economic realities. In th...

Submitted by Bob Pank#

Published 01 November 2010

tv-bay IBC2010 double takes

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Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

3D to see at IBC 2010

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IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#

Published 01 October 2010

More than meets the eye

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Synchronisation is not really a problem using two professional cameras. You just loop through your reference (black) to each and you are all done. In the old days, (well not that long ago), you had to worry about PAL SCH and accurate sync matching. Today, that complication does not matter because all digital inputs adjust for slight timing errors....

Submitted by Bob Pank#

Published 01 October 2010

Fourteen different formats and thats without 3D

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It started so innocuously. I was sitting with a hire company friend of mine reviewing the industry and where it was heading. “What’s going to be new at IBC?” I asked, as a way of keeping the conversation going. And then it all kicked off. Kicking off“What’s new? You should know! New? New! I have bought 14 different formats in the last 18 months – a...

Submitted by Bob Pank#

Published 01 September 2010

3D diaries -Fix it in post. Dont go there

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The more I look into it the more scary 3D is. Researching for 3D Diaries shows there are so many pitfalls and traps that would be all too easy to fall into; enough to put people off the whole idea! The answer is simply to learn about the subject before seriously jumping in with both feet. Clearly it adds a whole new layer to all parts of the scene-...

Submitted by Bob Pank#

Published 01 September 2010

Making the grade

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As we enjoy the Summer of 2010 the UK production industry remains in the grip of recession. Also, as noted in the recent UK Screen report, competition within the post production industry is damaging its own members with dangerous price wars. However, the biggest threat is coming from another direction – production companies and agencies bringing in...

Submitted by Bob Pank#

Published 01 September 2010

3D Diaries Part 3 Mastering 3D

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The 3D Masters conference was full of optimism, and caution, for the future of stereoscopic 3D. The one-day event was a near sell-out with about 250 attendees filling most of those sumptuous theatre seats at BAFTA. Despite the comfort, warmth, darkened room and good lunch, your correspondent managed to keep wide-awake to absorb the ceaseless torren...

Submitted by Bob Pank#

Published 01 August 2010

3d Technical

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In June there were two major events for those interested in 3D TV technologies. There has been the one day “3D Masters” at BAFTA on the 22nd in London’s Piccadilly . Earlier in the month we had the Dimension 3 Expo in Paris over 3 days from 1st to the 3rd. The 3D Masters in London was packed in a single very busy day. This comprised of well managed...

Submitted by Bob Pank#

Published 01 August 2010

3D Diaries Part 2 Cameras and rigs

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The idea of S-3D is not hard to grasp: one image for each eyeball. But making it work well enough to maintain the 3D illusion for the viewer is far from simple or straightforward. The fun starts with acquisition that breaks into two types of operation; live (no post production) and not live (with post). Shooting 3D requires acquiring two streams of...

Submitted by Bob Pank#

Published 01 July 2010

Cutting Edge 3D Graphics for the BBCs Election Night

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Spanish real-time 3D graphics manufacturer, Brainstorm, provided a full suite of data driven 2D and 3D graphics for the BBC’s recent UK Election Night coverage. The BBC’s election coverage includes some of the most technically challenging and innovative graphics on air, providing an excellent showcase for the power and sophistication of Brainstorm’...

Submitted by Bob Pank#

Published 01 July 2010

NAB2010 review

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Sometimes NAB can be very predictable. For me NAB 2010, or 2010 NAB SHOW as its organisers call it, was not one of those shows. The mail that arrived at my inbox on 5 April from NAB Housing, saying there were hotel room bargains still to be had, lead me to think attendance would be well down. This was certainly not like the old days when rooms were...

Submitted by Bob Pank#

Published 01 June 2010

Why do poorly composed 3D stereoscopic images give headac...

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The brain is used to being able to “fuse” the two separate views of the world seen from each eye into a 3D perceived scene. However we have a closed-loop system and the eye muscles constantly pull convergence and focus depending on the region of interest. When presented with two separate image streams originating from the left and right camera syst...

Submitted by Bob Pank#

Published 01 June 2010

3D Diaries Part 1

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Believe it!Welcome to 3D Diaries, TV-Bay’s own monthly column dedicated to 3D. Each month will feature an aspect of the 3D chain from scene to screen – all areas are affected in some way or another, so there’s plenty to talk about! But this would be meaningless if you are not a 3D believer, so this month I’ve shown why 3D is now here to stay. At NA...

Submitted by Bob Pank#

Published 01 June 2010

3D home viewing

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It seems the whole world is excited about the return of 3D to cinemas. Older sceptics said it wouldn’t last as it used to give them a headache. Sure, the old celluloid-based 3D delivery system had real problems and the production chain was slow and very expensive. This time is different, with rock-steady digital images in cinemas ensuring that the...

Submitted by Bob Pank#

Published 01 April 2010