What problem does this solve?
As audio workflows grow increasingly complex—especially with formats like Dolby Atmos—broadcasters and AV engineers need flexible ways to manage multichannel audio routing and embedding. Traditionally, embedding Dante audio into SDI or HDMI signals required expensive, rack-mounted equipment, making it less accessible for smaller setups or budget-conscious productions.
What was the industry workaround before this?
Before compact Dante embedding solutions like Apantac’s, users relied on AVRs or large format processors to handle Dolby Atmos decoding and Dante audio routing. These systems were powerful but costly, over-engineered for many needs, and physically too large for flypacks, small studios, or event-based rigs. Embedding Dante audio into SDI was a multi-step process involving various devices and software configurations.
How does it help?
Apantac has introduced a small, dedicated hardware box that decodes Dolby Atmos and manages Dante audio routing and embedding—all without the need for a high-end AVR. Users can decode multiple audio sources including Dolby Atmos and SDI audio, assign any Dante track via Dante Controller, and embed it back into SDI outputs. The result is a streamlined, affordable solution that combines the flexibility of Dante with hands-on control, and it’s compact enough for virtually any production setup.
Who would this appeal to?
This is a strong fit for broadcasters, AV technicians, and live sound engineers looking to work with Dante and Dolby Atmos without investing in large infrastructure. It’s particularly useful in portable rigs, mobile production, and small control rooms where rack space is limited and budgets are tight, but audio flexibility is a must.
More details at www.apantac.com. Watch our video interview with Thomas Tang here
