Using Wireless Transmission
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Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes. |
Tags: iss134
| wireless
| 4k
| transmission
| Jeremy Benning
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The Wireless Way to 4k
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DTC’s AEON group of products have been specifically designed for the 4K market.
We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link.
So what makes this a leading idea in the 4K revolution? |
Tags: iss134
| wireless
| 4k
| transmission
| JP Delport
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Three days to launch a TV station
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We go on-air in less than 100 hours is an alarming statement when the studio and control room in question contain no technical equipment whatsoever. But this was the situation that we faced upon arrival at the new Local TV channel in Manchester for the first time as we began to unload the van late on a Thursday afternoon at the end of May, we knew that the station had to go live on Sunday evening, just three days later. And not only did the new channel plan to launch with a live studio show, but it would also have to remain on-air with its own transmission output continuously after that. We have worked on projects with quick turnarounds before, but the speed and scale of this one were quite breath-taking. |
Tags: iss104
| aq broadcast
| that is manchester
| tv studio
| local tv channel
| transmission
| Neil Hutchins#
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