In Part 1 (issue 110) I addressed the practical skills required by Camera Operators aspiring to enter the Broadcast TV market. A good camera operator also needs to have good artistic senses and abilities. Like practical skills this is something that is acquired through training and practice. As with all training and practice the trainee needs to have access to a good trainer and the time to observe & practice. Trainer input alone does not make a good cameraman; a Trainer should give the student an understanding of what is required through explanation and demonstration, from that point on, it is down to the student to watch high end Broadcast output and practice/practice/practice what he or she sees and has learnt.