Check out Primestream at Booth SL2605

At the 2020 NAB Show, Primestream will showcase an array of new solutions that streamline and simplify the workflows that drive content creation. The company will feature solutions that create a seamless bridge between creative tools and Primestream Xchange™, the flagship web-based, enterprise-ready asset management platform that offers single and multisite operations global access to their content and workflows. Primestream also will showcase new tools that improve management of creative projects, make it easier to access assets, and ensure that content remains secure.

Cobalt® Digital, designer and manufacturer of award-winning edge devices for live video production and master control, and a founding partner in the openGear® initiative, will feature a line-up of openGear compatible products at NAB 2020 that will highlight a new card-based router series that takes flexibility to a new level, a mini frame that answers the industry need for a space-saving chassis but doesn’t compromise functionality and can be operated remotely, and a range of distribution amplifiers that answer the rise of 4K with the ability to distribute 12G-SDI signals within a Rackspace. The new solutions will be demonstrated alongside Cobalt’s entire platform that is designed to help Broadcasters transition to IP, 4K, HDR, the cloud, and beyond.

Presteigne Broadcast Hire, a leading dry hire and total multi-location production equipment provider, today announced the appointment of Jane Skinner as Senior Hire Desk Co-ordinator.

Reporting to Presteigne North Hire Manager Roy Gaterell, Skinner is based at the company’s northern office in Warrington, equidistant between Manchester and Liverpool.

Skinner started her career at Granada (now ITV) in Manchester as a coordinator for Granada Reports and This Morning.

She then progressed to drama with Mersey TV/Lime Pictures, working as a technical coordinator on programmes such as Hollyoaks and Brookside. Due to her expertise, Skinner was soon seconded to the production department where she undertook resource and production coordination roles.

Skinner comes to Presteigne from a Liverpool-based dry hire office, where she had converted her experience as a dry hire customer to apply it as a supplier.

Skinner said, “I am delighted to join Presteigne, which has a well-established reputation for excellence. I am already enjoying using that reputation to establish relationships with new clients and reinforce those with existing ones, both of which include an extensive number of contacts from my previous roles in production.”

Presteigne CEO Adrian Young said, “Roy and I are very pleased that Jane has joined us. She understands and exemplifies the value we place on providing excellent service to our clients, and the commitment to our staff in providing an environment that enables them to perform at their best.”

On Booth SL7409 at the 2020 NAB Show Crystal Vision will be showing the latest picture processing software apps for its MARBLE-V1 media processor hardware, all of which can work with IP, with SDI or with both IP and SDI at the same time. The functionality offered by these apps – which support ST 2022, ST 2110 video and 31 different SDI standards including 1080p – includes web browser keying, linear keying, picture-in-picture, clean switching, video delay, colour correction and up and down conversion. Their support for multiple signal formats gives the easiest possible SDI to IP upgrade, while also making the apps perfect for mixed SDI and IP installations as well as fully IP environments. One of the booth highlights will be the unique M-WEBKEY IP/SDI web browser keyer app, which provides a cost-effective alternative to a full graphics system. Other SDI products on show include the popular Cleanit profanity delays and Safire 3 real-time chroma keyer.

Arena Television has purchased four Leader LV5350 waveform monitors for its new OB17 vehicle which operates from Arena's Redhill Aerodrome headquarters in Surrey. One of Europe's largest and most capable HD trucks, OB17 is a 16.5 metre long 32 tonne articulated vehicle with twin full-length expanding sides.

Primarily operating in HD-SDI SDR and HDR, with Quad HD as an option, OB17 incorporates an IP layer in key areas to add extra flexibility. Onboard features include a 240 square foot production gallery, 16 camera channels, an 80 input Sony vision mixer, a Grass Valley hybrid router with 365 video inputs and 798 video outputs, a monitor wall with up to 180 configurable video preview windows, and a Calrec Artemis Beam audio console.

"OB17 is a powerful HD-HDR/SDR truck built for assignments such as light entertainment," says Dafydd (Daf) Rees, Deputy Director of Operations at Arena Television. "Its first job was for ITV's coverage of the Royal Variety Performance last November. HD-SDR is still the dominant production format but we are seeing a steady increase in demand for HD-HDR. We chose Leader LV5350 waveform monitors for the shading suite because they support both standards."

Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

With expansive product lines supporting 4K, 12G, HDR, and IP workflows, FOR-A Corporation of America will offer a “World of Possibilities” to attendees at the 2020 NAB Show (Booth C5016) in April in Las Vegas, Nev. Making its NAB debut, the new MFR-6100 routing switcher was built to support 12G-SDI infrastructures. It provides single-cable transfer of 4K video for less complex cabling. The MFR-6100 also includes multi-format I/O support, auto signal detection, and SNMP monitoring support. Add up to 16 I/O cards (nine channels per card) to configure a matrix up to 144x144.

Processing remains an important part of today’s multi-format broadcast environment. Designed to support live HDR broadcast production, the FA-9600 multi-purpose signal processor provides HDR and Wide Color Gamut support and conversion of multiple formats, including 12G, 4K, 1080p, and HD/SD. FOR-A also offers frame rate converters such as the FRC-9100, which supports 3G, HD, and SD content, including upconversion and interlace-to-progressive conversion. The FRC-9100 can also support 12G-SDI and 4K content with optional software.

Additionally, FOR-A will demonstrate efficient HD integration with third-party graphics, replay systems, and production servers, including partner products such as the ODYSSEY Insight video server, ClassX content creation and graphics playout solution, Variant Systems Group's Envivo Replay sports and live event replay solution, and InSync's frame synchronizer, frame rate converter, and up/down converters.

Axon’s proven Neuron IP processing and Cerebrum control & monitoring technology will be demonstrated with equipment from EVS, Sony, Arista, Calrec and Meinberg during this 22-day Outside Broadcast truck tour.

The Axon PRE-NABSHOW TOUR 2020, which runs across 16 locations in eight different European countries, kicks off on March 2nd. It allows broadcasters to experience tomorrow’s workflows by getting on board today. The products demonstrated on the truck will be exactly the same as those on display at Axon’s booth at NAB, so this will also provide a perfect opportunity for people who are not going to Las Vegas to get up-close and personal with Axon’s solutions.

For further information about the tour and to access a full schedule, please follow this link: https://www.axon.tv/knowledge/axon-pre-nab-tour-2020/

Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – will showcase the powerhouse capabilities of its products to enable color-consistent 4K/6K/8K SDR/HDR acquisition-to-post workflows during the 2020 HPA Tech Retreat, 17-20 Feb, Rancho Mirage, CA. The company will also participate in the groundbreaking, cloud-based, live production of “The Lost Lederhosen” short film, and share details of its pivotal role in the making of this mini-movie during the Retreat’s “HPA Makes A Movie” Supersession on Feb 18th.

Leader Europe has provided two LV7300 rasterizing waveform monitors to the Royal Opera House in London's Covent Garden. They were chosen as part of an extensive UHD/HDR upgrade carried out to the facilities used to relay stage performances for live viewing by cinema audiences in Europe and for distribution to other venues around the world.

"We needed instruments that would operate reliably in our current HD-SDR production environment and in the 4K-HDR standard to which we aspire," comments ROH Media broadcast engineer and production mixer Mark Thackeray. "The Royal Opera House in London has been broadcasting live to cinemas in 5.1 surround sound for 10 years. In any one season we transmit 12 or more productions."

"Our first 4K-HDR project was a documentary in 2017 for NHK. Leader lent us an LV5490 portable waveform monitor for that production as we needed the ability to capture, monitor and deliver Rec. 2020 wide color gamut video. The instrument functioned well both as an engineering reference and with its intuitive CINEZONE and CINELITE toolsets which are particularly useful during live production.

"For permanent installation, we decided on two LV7300 rasterizers which provide a full set of 12G/3G/HD/SD-SDI measurement facilities that our production staff can view on a larger display screen. The instruments are useful both to ensure accurate color matching of camera channels and for ensuring that we are delivering the best possible signal quality right through the production chain."