Back to previous page
Search for similar:  Manufacturer OR Model
THREE-CAMERA HD DSNG/OB VAN - Image #1
THREE-CAMERA HD DSNG/OB VAN - Image #2
THREE-CAMERA HD DSNG/OB VAN - Image #3
THREE-CAMERA HD DSNG/OB VAN - Image #4
THREE-CAMERA HD DSNG/OB VAN - Image #5
THREE-CAMERA HD DSNG/OB VAN - Image #6
THREE-CAMERA HD DSNG/OB VAN - Image #7
THREE-CAMERA HD DSNG/OB VAN - Image #8
THREE-CAMERA HD DSNG/OB VAN - Image #9

THREE-CAMERA HD DSNG/OB VAN

Reference 832

Price: €130,000.00
Location: United Kingdom
Condition: Used
Viewed: 347 times
Date Expires: 05/01/2020
Item ID: 210358

Reference 832

THREE-CAMERA HD DSNG/OB VAN

Please contact us for full truck description or check it on our website:
https://esbroadcast.com/ob832

This three-camera HD DSNG/OB van is a great all-in-one solution for small productions, combining video capture and transmission in the same vehicle.

With space at a premium, the equipment installed has been chosen to deliver maximum capability in as small a size as possible. This means the van can comfortably accommodate three or four operators: two in the production area and one each in audio and engineering.

MPEG4 technology to allow direct broadcasts with less data

The vehicle utilises HD MPEG-4 technology, which uses significantly less data than the MPEG-2 video standard, allowing broadcasters to use the available bandwidth more efficiently to offer more channels to viewers.

The production gallery is equipped with a JVC KM-H3000 vision mixer with two DVX, four Ram recorders and Built-in mutliviewer. The gallery wall is made up of three Samsung T24C300 24″ HD monitors and two 49″ JVC monitors.

Audio and engineering features

A two-channel Wohler audio monitoring unit is included, along with a Trilogy Mercury talkback system. A Blackmagic Design Videohub Smart Control panel allows easy access for controlling the truck’s Blackmagic Design 40×40 video router.

Immediately adjacent to the production area is the audio desk, which is a Yamaha O1V96 16-input mixer with eight AES/EBU In/Out channels. Audio routing comes courtesy of a Quartx 32×32 analogue router.

The truck’s engineering area includes space for three RCPs, as well as cabling for an EVS XT and two VTRs. A Phabrix RX500 two channel analyzer/ rasterizer with Dolby E option provides test and measurement capabilities. Distribution is covered by an Axon Synapse SFR18.

Ideally suited to DSNG applications

One of the stand-out features of this three-camera HD DSNG/OB van is that it is fully equipped for MPEG4 transmission. It has a 1.5m Advent KU band antenna and two 400w Stellar E2V STA1340 antenna mounts. The truck also boasts two ATEME CM5000 MPEG4 encoders and two ATEME DR8400 MPEG4 decoders.

This truck is ideally suited to DSNG applications, or to small live broadcasts, especially in Europe as the vehicle is left-hand drive.

Please note, to preserve client confidentiality, photos may have been edited to remove branding logos or to disguise distinctive paintwork.

Share:

Advertiser's Terms And Conditions

See Terms And Conditions

Similar products
SIX-CAMERA HD 3G OB SPRINTER VAN Reference 812
OB-van for sale 20 HD cameras 2016 refurbished OB Van for sale
... DSNG VAN HD (used) Used Mercedes DSNG VAN HD (used) – DSNG / SNG VEHICLE
EIGHT-CAMERA HD OB/DSNG VAN Reference 828
EIGHT-CAMERA HD OB SPRINTER VAN Reference 820
Canon EOS C300 Mark 2 - 4K and Full HD 1080p Canon EF Mount Camera. Excellent condition,1x BP-A60 Battery and 1x Sony CG-A10 Double Charger.
EIGHT-CAMERA HD OB SPRINTER VAN Reference 816

More products from this seller
Pan Tilt camera system
Pan Tilt camera system
Reference 813
Reference 813
24 ports Managed Switch
24 ports Managed Switch
Engine 64TB Media Storage System
Engine 64TB Media Storage System
20
20" Video and Composite CRT monitor
Wide Angled Lens
Wide Angled Lens
T1.6-T1.9 5, 7, 10, 28, 40 & 70mm
T1.6-T1.9 5, 7, 10, 28, 40 & 70mm
Mains Distribution Unit
Mains Distribution Unit
Turner Base Unit
Turner Base Unit
Reference 840
Reference 840
Microphone Adapter for C300 Mark II Camera
Microphone Adapter for C300 Mark II Came.
HD/SD Waveform Monitor
HD/SD Waveform Monitor
See More Kit

This News may interest You
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest Posted: 07/11/2019
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest

Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, in August 2019 with performances from stars such as Chris Stapleton, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

The ATEM Constellation 8K is the heart of a new flypack from Pennsylvania based full service video production company Upstage Video, which also includes Blackmagic Design’s Smart Videohub 12G 40x40 router, ATEM 2 M/E Broadcast Panel and more. Built specifically for the concert touring and music festival industry, the Ultra HD 12G-SDI and fiber flypack was responsible for switching and video distribution for WE Fest’s two 17’ x 27’ on stage screens and 12’ x 21’ front of house screen, as well as for closed circuit distribution and simulcasts in the VIP campsites and vendor areas.

“What’s unique about this flypack is that its modular design allows it to break into three racks with the director’s rack sitting front of house,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. directors typically sit front of house so they can see lighting, etc. However, in the U.S., we’ve been seeing a trend where more and more directors prefer front of house because they want to have the energy from the show and the audience, which is hard to get backstage. It was important for us to develop a flypack that could easily provide a front of house director position with engineering backstage.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,Live Production ,Festival ,ATEM Constellation ,Ultra HD Flypack ,WE Fest ,ATEM
Submitted by Blackmagic design
More from this author
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design Posted: 29/10/2019
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels.

The network recently expanded its output to offer more than 83 channels, including eight in Ultra HD, broadcasting in German, French and Italian, and covering a wide range of sports including top flight European and national football leagues, ice hockey and others via its IPTV platform.

“We needed to double Teleclub’s capacity to feed additional HD and UHD PPV channels, studio production facilities, as well as additional commentary and graphics elements,” explains Remo Val, system and software engineer, Teleclub. “When we considered our UltraHD requirements, it was clear that a single link 12G-SDI network would ensure we had enough capacity in our server rooms and keep cabling and signal distribution hubs as streamlined as possible.”

18 ATEM 4 M/E Broadcast Studio 4K have been installed, with each one serving two of the HD or UltraHD channels, with a separate M/E attributed to each channel. Each switcher is paired with a video/CG server, developed inhouse at Teleclub using DeckLink Quad 2 capture cards and Caspar CG, for live video playout.

Tags: Blackmagic Design ,BMD ,Blackmagic ,ATEM ,Live Sports Broadcasting ,Broadcast ,Ultra HD ,Video Playout
Submitted by Blackmagic design
More from this author
AVer introduces the CAM340+ huddle room USB camera Posted: 28/10/2019
AVer introduces the CAM340+ huddle room USB camera

The CAM340+ is a portable high-quality HD intelligent camera that allows a user to communicate from anywhere. Compatible with all common applications, it connects to a computer via a single USB cable and provides a superior video communication experience.

With a versatile monitor mount, which can accommodate displays up to 4cm thick, easy-to-carry size, and durable construction, the CAM340+ gives users the flexibility to make any room or space a huddle room. A performance-quality multi-glass lens with deep focus and impressive 120° FOV gives an ultra-wide field for view video conferencing, allowing everyone at the table into a meeting with minimal distortion. An optional wall mount and remote control is available.

Meetings can be in 4K, giving a picture technology that quadruples the pixel count of Full HD, creating sharper images. With a 4X zoom, the CAM340+ scans the room with no moving parts and no loss of quality. AVer uses SONY EXMOR sensor, features ePTZ (electronic pan tilt zoom) and built-in microphone ideal for the huddle room and small conference room.

Tags: conferencing; tech; AV; HD; camera; USB
Submitted by brookscomm
More from this author
Fifty Fifty adds second Baselight grading suite Posted: 21/10/2019
Fifty Fifty adds second Baselight grading suite

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are equipped for 4K and HDR Ultra HD, and certified for Dolby Vision grading and delivery.

 
Originally a short-form house, Fifty Fifty is now best known for its broadcast work. As well as an ambitious expansion into a fourth building next to its original Soho base, to drive future creative and commercial growth, Fifty Fifty has recruited experienced long-form colourist Joe Stabb to run both the department and the new suite.
 
“Our boutique size enables us to offer agile, bespoke solutions,” said Cara Kotschy, managing director of Fifty Fifty. “The addition of beautifully styled and Dolby Vision accredited Baselight suites is a strategic move to put us at the forefront of technology and deliver our strategy within the high-end programming market. Baselight is a name that almost every single client will recognise and trust.”
 
Today, the majority of Fifty Fifty’s OTT deliverables are in HDR, so it is incredibly important that they have the confidence to deliver this new technology. The new suite matches the existing room technically, based on a Baselight TWO workstation with a Blackboard control surface. Fifty Fifty also use Baselight plug-ins in their editorial rooms and Flame VFX.
Tags: FilmLight ,Fifty Fifty ,Baselight ,grading suite ,colourist ,Joe Stabb ,4K ,HDR Ultra HD ,Cara Kotschy ,Dolby Vision ,Blackboard control ,Flame VFX ,colour science ,colour artist ,interoperability ,MKM Marcomms ,MKM Marketing Communications
Submitted by MKM Marketing Communications
More from this author
Broadcast Solutions to Enter the Market for Used OB Vehicles with a New Service Posted: 17/10/2019
Broadcast Solutions to Enter the Market for Used OB Vehicles with a New Service

Antti Laurila, Global Sales Director at Broadcast Solutions, on the move towards used equipment: “Over the years we see a growing need for used production vehicles in many countries. Some of our customers want to upgrade their production fleet and are looking for means to fund the purchase by selling their used OBs. Therefore, it was a logical step to use our know-how and sales network to help them find the right company to sell to.”

Within the new business unit, Broadcast Solutions acts as the agent mediating between the seller and prospective new customers of used OB vehicles. Part of the service is, of course, refurbishments of the used OBs, depending on the overall condition and the needs of the buyer. The company will also use its technical expertise to advise of potential changes that could be possible and technology choices which may provide additional benefits to the new owner. The company also offers an enhanced full support agreement, tailored to protect both equipment and vehicle. With these continuity schemes, buyers can be confident that their new investment will be protected round the clock by engineers they can trust. Identifying necessary technical upgrades for the vehicles to be future-proof investments is a huge benefit for both parties, causing a frictionless sales process and adding more options for the use of certain vehicles.

Broadcast Solutions offers this service worldwide and starts with already four OB trucks in stock, ready for purchase.

More information on the used OB truck service from Broadcast Solutions are available here: used.broadcast-solutions.de

Tags: OB vans ,used equipment ,Broadcast Solutions ,OB trucks ,OB vehicles
Submitted by Broadcast Solutions
More from this author
Pixel Power boosts its software solutions business Posted: 07/10/2019
Pixel Power boosts its software solutions business

Underlining the importance of its solutions business, Pixel Power has added two new product specialists to the team. Tanya Schurawel and Toria Farrell both come direct from broadcasters, and will use their unique insights to help customers develop optimised solutions for automated production, graphics and playout.

Tags: Pixel Power ,Rohde & Schwarz ,Automation ,playout ,graphics ,branding ,master control ,SD ,4K ,HD ,VOD ,OTT ,Linear TV
Submitted by Manor Marketing
More from this author
Broadcast Solutions acquires Videlio Middle-East to accelerate its operations in the Arab world and Africa Posted: 18/09/2019
Broadcast Solutions acquires Videlio Middle-East to accelerate its operations in the Arab world and Africa

Broadcast Solutions, a leading media technology and system integration company, announced today that it had finalised the acquisition of Videlio Middle-East F.Z. LLC, the Dubai-based subsidiary of Videlio group. This new acquisition will merge with existing Broadcast Solutions operations in the Middle-East, led by Munzer Rushdi.

Tags: Broadcast Solutions ,Videlio ,Middle East ,OB Vans ,Broadcast Facilities ,IBC 2019 ,IBC 2019
Submitted by Broadcast Solutions
More from this author
AJA Unveils HDR Image Analyzer 12G at IBC 2019 Posted: 13/09/2019
AJA Unveils HDR Image Analyzer 12G at IBC 2019

AJA Video Systems announced the new HDR Image Analyzer 12G, bringing 12G-SDI connectivity to its powerful real-time HDR monitoring and analysis platform developed in partnership with Colorfront. The new product streamlines 4K/UltraHD HDR monitoring and analysis workflows by supporting the latest high-bandwidth 12G-SDI connectivity.

Tags: AJA ,AJA Video Systems ,IBC 2019 ,IBC ,HDR Image Analyzer ,4K ,Ultra HD ,IBC 2019 ,IBC 2019
Submitted by Raz Public Relations
More from this author
ITV Studios selects the latest Sony HDC-3500 4K HD HDR Live Production system cameras to shoot Coronation Street Posted: 10/09/2019
ITV Studios selects the latest Sony HDC-3500 4K HD HDR Live Production system cameras to shoot and lsquo;Coronation Street and rsquo;
ITV Studios, a television production company owned by the British television broadcaster ITV PLC, has invested in 21 Sony HDC-3500 system camera chains supplied by broadcast and film industry equipment provider, Top-Teks. The 2/3-inch 4K CMOS sensor portable system cameras will be used to shoot ‘Coronation Street’, ITV’s flagship soap that has graced screens for almost 60 years. The cameras were selected as part of ITV Studios’ latest camera refresh aimed towards future-proofing production by offering greater flexibility and picture quality.
Tags: Sony ,4K ,HD ,HDR ,ITV Studios ,Solutions ,Coronation Street ,System Camera ,HDC-3500 ,CMOS sensor ,Live Production
Submitted by Sony Professional Solutions
More from this author
LYNX Technik Debut and rsquo;s HDR Evie+ at IBC 2019 Posted: 09/09/2019
LYNX Technik Debut and rsquo;s HDR Evie+ at IBC 2019
LYNX Technik has developed a comprehensive suite of HDR solutions, powered by its multi-purpose award-winning platform, greenMachine®. These include: HDR Evie+, HDR Evie and HDR Static. The entire suite will be demonstrated at the upcoming IBC 2019 show on stand 8.C65.
Tags: HDR ,SDR ,greenMachine ,LYNX ,Technik ,IBC2019 ,IBC ,HDR Evie ,4K HDR ,HD HDR ,IBC 2019 ,IBC 2019
Submitted by LYNX Technik
More from this author
All news

These Articles may interest You
Taking a Stand at IBC - The Future of Exhibiting Clouds
Julian Wright If you’re reading KitPlus you probably don’t need us to tell you that, each year, the IBC Show attracts 1,700 exhibitors, each parting with a significant sum of money for the privilege of touting their wares from the darkened halls for five whole days. For the last eight years Blue Lucy has been one of these exhibitors and the show has always more than paid for itself in generating new business, as well as the less directly-tangible benefits from partnerships and networking opportunities.
Tags: iss140 ,blue lucy ,ibc ,cloud ,iabm
Contributing Author Julian Wright Click to read
On Stage At Festival Beauregard
KitPlus Set in the majestic grounds of the Chateau de Beauregard, and in its eleventh year, the festival is an eclectic mix of homegrown French talent and international artists spanning pop, rock, punk and dance. We made the hop across the channel to find out more.
Tags: iss140 ,blackmagic ,atem ,hyperdeck mini
Contributing Author KitPlus Click to read or download PDF
Never Stop Learning....Or Spending
Peter Heaven I’m over 75, and have been a member of the Bristol Film and Video Society (www.bristolvideo.org.uk) for several decades. Like the great majority of members, I am not and never have been a video professional but have video interests beyond the club and its productions. For some time I have been recording lectures (for other clubs) using a Panasonic HDC-HS100, a lovely little hand-held camera recording Full-HD 1920x1080i which has given very good service. But it has a 3.5mm jack for an external mic and this proved limiting, so I looked for a small mic mixer.
Tags: iss140 ,bristol film and viudeo society ,pinknoise ,hc-x1 ,h preston ,lilliput a7
Contributing Author Peter Heaven Click to read or download PDF
Solving Rigorous Digital Workflow Challenges
Michael Urban

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles.

The company was on the hunt for a scalable, high-performance storage solution that would meet the rigorous demands of a large-scale live-action film project for a major Hollywood studio.

Tags: iss140 ,rebel fleet ,alexa 65 ,nas ,quantum ,stornext ,qxs ,storage ,mam
Contributing Author Michael Urban Click to read or download PDF
Live Streaming Workflows Examined
Bryce Button In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the delivery platform and the type of display that it’s intended for. There is no one-size fits all approach.
Tags: iss140 ,aja video ,espn ,rtmp ,helo ,h.264 ,nesn ,wallcast ,fido
Contributing Author Bryce Button Click to read or download PDF
Complex Live Streaming At Scale
KitPlus On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections.
Tags: iss140 ,zixi ,streaming ,video transport ,ip ,zen master
Contributing Author KitPlus Click to read or download PDF
Creating A Signature Look With Lighting
William Hellmuth As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing those moments of truth.
Tags: iss140 ,litepanels ,gemini 2x1 ,led
Contributing Author William Hellmuth Click to read or download PDF
Joanna Cuper - Demonstration Technician CVP
Joanna Cuper My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from simply talking over email or on the phone, through to the customer coming in for a live demo where I can go through a specific piece of kit with them in person.
Tags: iss140 ,cvp ,c500 ,fx9 ,komodo ,sigma ,aputure nova
Contributing Author Joanna Cuper Click to read or download PDF
Testing Hybrid Workflows
Martin Mulligan With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now faced with the significant challenge of having to manage and monitor a wide array of new signal types in order to provide properly managed workflows. The switch away from HD-SDI is not happening overnight and, indeed, is happening at different speeds in different parts of the world. Due to this rapidly evolving technology landscape, reliable and versatile test and measurement (T&M) solutions have never been more important.
Tags: iss140 ,phabrix ,2022-7 ,st2110 ,smpte ,aes3 ,anc data ,hd-sdi ,ptp ,qx rasterizer ,lawo V_pro8
Contributing Author Martin Mulligan Click to read or download PDF
To Remotely Go - TVFutures
Michael Parsons One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen some significant leaps in innovation.
Tags: iss139 ,university ,portsmouth ,graduation ,guildhall ,newtek ,streaming ,pxw-fs7 ,ndi ,ip ,ndihx ptz camera
Contributing Author Michael Parsons Click to read or download PDF
All articles