Back to previous page
Search for similar:  Manufacturer OR Model
SBF SR1 UHD tripod - Image #1
SBF SR1 UHD tripod - Image #2
SBF SR1 UHD tripod - Image #3

SBF SR1 UHD tripod

Ultra Heavy Duty outdoor tripod

Price: €2,750.00
Location: Netherlands
Condition: New
Viewed: 29 times
Date Expires: 06/02/2020
Item ID: 211648

Ultra Heavy Duty outdoor tripod

SBF SR1 UHD tripod

The SR1 UHD is a stainless steel outdoor tripod for ultra heavy duty use with a payload up to 150kg.

The legs are mechanical spread by a hand operated knob which secures the spreading of the legs. Extension of the legs is done by unlocking the secure pin and pull them out of the upper legs.

Head and upper legs are black, extension legs are plain stainless steel. Weight of the tripod is 15kg.

The tripod comes with a quick release plate which fit's on all flat based Pan&Tilt heads.

Price tripod € 2.750,-

price quicl release € 795,-

Share:

Advertiser's Terms And Conditions

See Terms And Conditions

Similar products
  Manfrotto (504HD,546BK )Tripod System including x 1x Spreader and 1x Bag very good condition, pics on request,
Vinten Vector 70 tripod head Used Vinten vector 70 tripod head supports 70kg Vinten 3354-3 Vector 70 Professional Studio and OB Pan/Tilt Head
Manfrotto Tripods (Heads and Legs ) Manfrotto 509HD Video Head & 545B Aluminum Tripod Manfrotto 509HD Video Head & 545B Aluminum Tripod
  Miller Arrow 50 heavy-duty tripod MILLER ARROW 50 TRIPOD (in BLUE PETROL BAG)
OB-van for sale 20 HD cameras 2016 refurbished OB Van for sale
Vinten 100mm Legs Tripod Vinten 100mm Legs Tripod
Hisense 58" 58AE6100 4K UHD LED TV Hisense 58" 58AE6100 4K UHD LED TV

More products from this seller
2 stage pneumatic pedestal
2 stage pneumatic pedestal
7 inch HD LCD Viewfinder
7 inch HD LCD Viewfinder
4K base band processor unit
4K base band processor unit
HD Super Motion camera
HD Super Motion camera
Portable Commentator box, two channel IP & ISDN full duplex.
Portable Commentator box, two channel IP.
HD fiber chain
HD fiber chain
HD box lens
HD box lens
SD camera chain
SD camera chain
Studio and handheld camera’s
Studio and handheld camera’s
HD fiber camera chain
HD fiber camera chain
SD lens with full servo conrols
SD lens with full servo conrols
Large lens adaptor with 7 inch HD CRT viewfinder
Large lens adaptor with 7 inch HD CRT vi.
See More Kit

This News may interest You
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

Tags: Megahertz ,Royal Opera House ,media suite ,UHD/ HDR ,4K ,systems integration ,production facility ,Covent Garden ,turn-key solution ,Steve Zissler ,Jon Flay ,MKM Marcomms ,MKM Marketing Communications
Submitted by MKM Marketing Communications
More from this author
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest Posted: 07/11/2019
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest

Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, in August 2019 with performances from stars such as Chris Stapleton, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

The ATEM Constellation 8K is the heart of a new flypack from Pennsylvania based full service video production company Upstage Video, which also includes Blackmagic Design’s Smart Videohub 12G 40x40 router, ATEM 2 M/E Broadcast Panel and more. Built specifically for the concert touring and music festival industry, the Ultra HD 12G-SDI and fiber flypack was responsible for switching and video distribution for WE Fest’s two 17’ x 27’ on stage screens and 12’ x 21’ front of house screen, as well as for closed circuit distribution and simulcasts in the VIP campsites and vendor areas.

“What’s unique about this flypack is that its modular design allows it to break into three racks with the director’s rack sitting front of house,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. directors typically sit front of house so they can see lighting, etc. However, in the U.S., we’ve been seeing a trend where more and more directors prefer front of house because they want to have the energy from the show and the audience, which is hard to get backstage. It was important for us to develop a flypack that could easily provide a front of house director position with engineering backstage.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,Live Production ,Festival ,ATEM Constellation ,Ultra HD Flypack ,WE Fest ,ATEM
Submitted by Blackmagic design
More from this author
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design Posted: 29/10/2019
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels.

The network recently expanded its output to offer more than 83 channels, including eight in Ultra HD, broadcasting in German, French and Italian, and covering a wide range of sports including top flight European and national football leagues, ice hockey and others via its IPTV platform.

“We needed to double Teleclub’s capacity to feed additional HD and UHD PPV channels, studio production facilities, as well as additional commentary and graphics elements,” explains Remo Val, system and software engineer, Teleclub. “When we considered our UltraHD requirements, it was clear that a single link 12G-SDI network would ensure we had enough capacity in our server rooms and keep cabling and signal distribution hubs as streamlined as possible.”

18 ATEM 4 M/E Broadcast Studio 4K have been installed, with each one serving two of the HD or UltraHD channels, with a separate M/E attributed to each channel. Each switcher is paired with a video/CG server, developed inhouse at Teleclub using DeckLink Quad 2 capture cards and Caspar CG, for live video playout.

Tags: Blackmagic Design ,BMD ,Blackmagic ,ATEM ,Live Sports Broadcasting ,Broadcast ,Ultra HD ,Video Playout
Submitted by Blackmagic design
More from this author
Expanded Cloud Media Workflow for Live Streaming from Space Successfully Tested During SMPTE 2019 Posted: 24/10/2019
Expanded Cloud Media Workflow for Live Streaming from Space Successfully Tested During SMPTE 2019

Today at SMPTE 2019, the National Aeronautics and Space Administration (NASA) and Amazon Web Services (AWS) successfully tested a workflow that marks the first use of cloud resources for data storage and video origination for streaming from space. The proof of concept expands on the workflow NASA and AWS co-produced in 2017 to enable the first-ever live 4K UHD stream from space, and now includes cloud-based media services for high-quality and secure live video transport, video origination and packaging, broadcast-grade live video processing, and content delivery networks.

The test took place during a special SMPTE program honoring the 50th anniversary of the Apollo 11 moon landing and supported a special live interview with NASA astronauts Christina Koch, Jessica Meir, and Andrew Morgan located 250 miles above Earth aboard the International Space Station and two NASA colleagues presenting at SMPTE 2019 in Los Angeles.

Tags: SMPTE 2019 ,AWS ,NASA ,Amazon ,live 4K UHD ,cloud-based media ,live video transport
Submitted by Wall Street Communications
More from this author
Fifty Fifty adds second Baselight grading suite Posted: 21/10/2019
Fifty Fifty adds second Baselight grading suite

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are equipped for 4K and HDR Ultra HD, and certified for Dolby Vision grading and delivery.

 
Originally a short-form house, Fifty Fifty is now best known for its broadcast work. As well as an ambitious expansion into a fourth building next to its original Soho base, to drive future creative and commercial growth, Fifty Fifty has recruited experienced long-form colourist Joe Stabb to run both the department and the new suite.
 
“Our boutique size enables us to offer agile, bespoke solutions,” said Cara Kotschy, managing director of Fifty Fifty. “The addition of beautifully styled and Dolby Vision accredited Baselight suites is a strategic move to put us at the forefront of technology and deliver our strategy within the high-end programming market. Baselight is a name that almost every single client will recognise and trust.”
 
Today, the majority of Fifty Fifty’s OTT deliverables are in HDR, so it is incredibly important that they have the confidence to deliver this new technology. The new suite matches the existing room technically, based on a Baselight TWO workstation with a Blackboard control surface. Fifty Fifty also use Baselight plug-ins in their editorial rooms and Flame VFX.
Tags: FilmLight ,Fifty Fifty ,Baselight ,grading suite ,colourist ,Joe Stabb ,4K ,HDR Ultra HD ,Cara Kotschy ,Dolby Vision ,Blackboard control ,Flame VFX ,colour science ,colour artist ,interoperability ,MKM Marcomms ,MKM Marketing Communications
Submitted by MKM Marketing Communications
More from this author
K2E 12G-SDI UHD 4K Audio Monitoring Units Posted: 10/10/2019
K2E 12G-SDI UHD 4K Audio Monitoring Units
matrix4.tv are pleased to bring the latest 12G-SDI solutions to the UK and European market including the K2E AV confidence monitors designed for broadcast and OB applications.
 
Tags: #12G-SDI ,#4K ,#UHD ,KPS Manchester ,KPS Manchester
Submitted by matrix4.tv
More from this author
Broadpeak at Broadband World Forum 2019 Posted: 07/10/2019
Broadpeak at Broadband World Forum 2019

Demand for video streaming has never been greater. Consumers expect to see flawless video in their homes and on their mobile devices, making video an important part of data flowing into the home, and a crucial consideration for operators. To improve customer satisfaction, reduce churn, and attract new subscribers, network operators need scalable, cost-effective video services that ensure a flawless quality of service and (QoS) and quality of experience (QoE) across all screens. Broadpeak® provides solutions that optimize video delivery to home networks.

Tags: Broadpeak ,Broadband World Forum 2019 ,4K UHD HDR ,IPTV DASH ,Wi-Fi Optimizer ,nanoCDN ,Multicast ABR
Submitted by 202 Communications
More from this author
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD Posted: 13/09/2019
OCONNOR INTRODUCES CAMERA SUPPORT SYSTEM FEATURING ALL-NEW ULTIMATE 1040 FLUID HEAD AND FLOWTECH100 TRIPOD

OConnor today introduced a camera support system that pairs the all-new Ultimate 1040 fluid head with the multi-award-winning flowtech100 tripod. This exclusive system combines the world-renowned precision and versatility of OConnor's fluid heads with the unique speed of flowtech's carbon-fiber tripod technology, allowing professional camera operators to move from heavier to lighter payload camera setups quickly and without compromise.

Tags: IBC2019 ,Vitec Production Solutions ,OCONNOR ,ULTIMATE 1040 FLUID HEAD ,FLOWTECH100 TRIPOD ,IBC 2019 ,IBC 2019
Submitted by Wall Street Communications
More from this author
AJA Unveils HDR Image Analyzer 12G at IBC 2019 Posted: 13/09/2019
AJA Unveils HDR Image Analyzer 12G at IBC 2019

AJA Video Systems announced the new HDR Image Analyzer 12G, bringing 12G-SDI connectivity to its powerful real-time HDR monitoring and analysis platform developed in partnership with Colorfront. The new product streamlines 4K/UltraHD HDR monitoring and analysis workflows by supporting the latest high-bandwidth 12G-SDI connectivity.

Tags: AJA ,AJA Video Systems ,IBC 2019 ,IBC ,HDR Image Analyzer ,4K ,Ultra HD ,IBC 2019 ,IBC 2019
Submitted by Raz Public Relations
More from this author
FIBA delivers ambitious FIBA Basketball World Cup 2019 production with Gearhouse Posted: 12/09/2019
FIBA delivers ambitious FIBA Basketball World Cup 2019 production with Gearhouse

Gearhouse Broadcast, the Gravity Media-owned supplier of technical facilities, crew and services used to capture the world’s most watched content, is providing a range of facilities to FIBA, through is entity FIBA Media, for its host broadcast of the FIBA Basketball World Cup 2019. These include the deployment of Gearhouse’s Flypack portable production systems at three of the eight official venues, with a UHD solution being used in Beijing where the Final will be held. The 32-team tournament takes place across China between 31 August – 15 September.

Tags: Flypacks ,UHD ,FIBA ,FIBA Basketball World Cup ,production ,broadcast ,portable production ,TV
Submitted by RLYL
More from this author
All news

These Articles may interest You
State Of The Nation: Securing The Future
Dick Hobbs - new This magazine is a notable champion for education in our industry, and deserves much praise for its efforts. To my mind, there is all too little concern for our future. I have previously taken up your time in these pages on the subject of creating the next generation of talent, but I am largely unrepentant that I am going to do it again.
Tags: iss140 ,ebu ,iabm ,hbs ,training ,education ,nial duffy ,graduate
Contributing Author Dick Hobbs - new Click to read
Never Stop Learning....Or Spending
Peter Heaven I’m over 75, and have been a member of the Bristol Film and Video Society (www.bristolvideo.org.uk) for several decades. Like the great majority of members, I am not and never have been a video professional but have video interests beyond the club and its productions. For some time I have been recording lectures (for other clubs) using a Panasonic HDC-HS100, a lovely little hand-held camera recording Full-HD 1920x1080i which has given very good service. But it has a 3.5mm jack for an external mic and this proved limiting, so I looked for a small mic mixer.
Tags: iss140 ,bristol film and viudeo society ,pinknoise ,hc-x1 ,h preston ,lilliput a7
Contributing Author Peter Heaven Click to read or download PDF
Live Streaming Workflows Examined
Bryce Button In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the delivery platform and the type of display that it’s intended for. There is no one-size fits all approach.
Tags: iss140 ,aja video ,espn ,rtmp ,helo ,h.264 ,nesn ,wallcast ,fido
Contributing Author Bryce Button Click to read or download PDF
REVIEW Canon UJ111x8_3B UHD Lens
Andy McKenzie Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the world's news reporters now able to capture UHD video on their mobile phones, why give the production crews anything less?
Tags: iss139 ,canon review ,uj111x8 review ,lens ,zoom ,digisuper ,uj90x9b ,hdtv ,ccu
Contributing Author Andy McKenzie Click to read or download PDF
Keeping the Show on the Road
Andy McKenzie There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme.
Tags: iss139 ,service ,support ,finepoint ,maintenance
Contributing Author Andy McKenzie Click to read or download PDF
The University of the Third Age
Bernard Newnham Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like "....mastered in Dolby Vision Domestic and SDR Rec 709....." become just a touch unimportant (and actually I never really understood that stuff in the first place). I retired for the third time last year - BBC producer, and before that cameraman, then freelance producer, trainer, do-your-own camera, sound, editor, blah blah, then 11 years university teaching. I did my bit - never a BAFTA, but certainly the first into a good few things - but it all has to come to an end sometime.
Tags: iss139 ,u3a ,panasonic ,davinci resolve
Contributing Author Bernard Newnham Click to read or download PDF
Why MADI is Still Relevant
Stephen Brownsill While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape.
Tags: iss139 ,madi ,tsl products ,aes10 ,aes ,dolby atmos ,st-2110 ,sam-q
Contributing Author Stephen Brownsill Click to read or download PDF
The World of 12G 4K/UHD Processing
Varun Patel Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/UHD buzz has been in the consumer world for some time but what does that actually mean for the content producer?
Tags: iss138 ,lynx technik ,ott ,greenmachine ,yellobrik ,conversion
Contributing Author Varun Patel Click to read or download PDF
Making a Difference in Wireless Transmission
Lukasz Malankowski

We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum.

There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our products, coupled with the offerings of others rather than competing with them produce a wireless workflow that is greater than their separate capabilities.

Tags: iss138 ,boxx ,production ,wireless ,4k
Contributing Author Lukasz Malankowski Click to read or download PDF
Centre Stage for Cameras with All About Eve
Anthony Newton Taking its inspiration from the classic 1950 film, Ivo van Hove’s stage production of All About Eve, starring Gillian Anderson as theatre darling, Margo Channing, and Lily James as the eponymous Eve, retains the themes of ageing, celebrity and obsession. The piece, produced by Sonia Friedman Productions and Fox Stage Productions garnered stellar reviews during its recent run at London’s Noel Coward Theatre.
Tags: iss138 ,blackmagic design ,micro studio camera ,ronin ,smartscope duo
Contributing Author Anthony Newton Click to read or download PDF
All articles