Back to previous page
Search for similar:  Manufacturer OR Model
Avocor E7510 Interactive Touch Screen - Image #1
Avocor E7510 Interactive Touch Screen - Image #2
Avocor E7510 Interactive Touch Screen - Image #3
Avocor E7510 Interactive Touch Screen - Image #4
Avocor E7510 Interactive Touch Screen - Image #5

Avocor E7510 Interactive Touch Screen

Avocor E7510 Interactive Touch Screen

Price: £2,978.00
Location: United Kingdom
Condition: New
Viewed: 2348 times
Date Expires: 30/04/2023
Item ID: 211370

Avocor E7510 Interactive Touch Screen

Avocor E7510 Interactive Touch Screen

The cutting-edge lightweight LED technology of the Avocor E7510  interactive display combines first-to-market 2mm optically bonded glass with a 4K IR interactive display. The E series delivers ultra-fast 20-points of touch and includes the functionality to insert an OPS unit via the OPS slot as well as the Control bar at the bottom of the screen.

 

 

 


Check out the Lens Coverage & Camera Comparison Tool from CVP

Share:

Advertiser's Terms And Conditions

See Terms And Conditions

Similar products
Avocor E6510 Interactive Touch Screen  Avocor E6510 Interactive Touch Screen 
Avocor E8610 Interactive Touch Screen Avocor E8610 Interactive Touch Screen
Crestron ST-1700C Crestron ST-1700C Touch-Screen Multimedia Controller And CP2e Processor Unit
Crestron ST-1700C Crestron ST-1700C Touch-Screen Multimedia Controller And CP2 Processor Unit
Crestron ST-1700C Crestron ST-1700C Touch-Screen Multimedia Controller And CP2 Processor Unit
Crestron ST-1700C Crestron ST-1700C Touch-Screen Multimedia Controller With Docking Station
  Sony GV-D1000 DV recorder with LCD screen Wanted: Dead_non-working or alive_good condition GV-D1000E PAL VTR's!

More products from this seller
Evertz 7767VIP4-SN
Evertz 7767VIP4-SN
IDK HDC-S400
IDK HDC-S400
Sony BRC-H900
Sony BRC-H900
Canon XJ72 x 9.3 BIE
Canon XJ72 x 9.3 BIE
ARRI Alexa XT Plus
ARRI Alexa XT Plus
Arri Broadcast Plate for SONY F5/F55 - K2.66261.0
Arri Broadcast Plate for SONY F5/F55 - K.
Sony BRC-H800W/AC
Sony BRC-H800W/AC
ARRI K2.75005.0
ARRI K2.75005.0
Blackmagic URSA Mini PRO
Blackmagic URSA Mini PRO
Poly Studio
Poly Studio
Sony HDW-750P
Sony HDW-750P
Anton Bauer lsnp 4 way charger
Anton Bauer lsnp 4 way charger
See More Kit

This News may interest You
The Dynamic Tech Lineup Behind Bundesliga Award-winning Interactive Feed Posted: 27/04/2022
The Dynamic Tech Lineup Behind Bundesliga and rsquo;s Award-winning Interactive Feed

Leveraging a host of AWS Media and AI services, the solution personalizes the audience experience, automatically populating the viewer’s screen with custom video alerts, statistics, and graphics that encourage interaction and extend audience engagement.

Tags: Amazon Web Services ,AWS ,AWS Media Services ,AI ,Bundesliga ,Interactive Feed ,DFL ,audience experience ,data-driven graphics
Submitted by News Feed
More from this author
Matthews Intros Air Climber at BSC Expo Posted: 08/04/2022
Matthews Intros Air Climber and trade; at BSC Expo

Matthews Studio Equipment, known for standard-setting grip gear for location and studio work, introduces the first off-the-shelf, modular grip and lighting stand that reaches 25 feet/7.62 meters. Air Climber uses pneumatics to be safely raised and lowered via a regulator switch and air compressor.



Tags: Matthews ,Grip ,grip equipment ,Lighting ,lighting support ,Matthews ,Matthews Studio Equipment ,Sheet Plate ,gaffer ,local 80 ,cinematography ,production ,set ,Floppy ,flag ,protection ,crew ,safety ,stands ,screens ,frames ,slider
Submitted by Lewis Communications
More from this author
SUMOLIGHT Introduces new SUMOMAX 1800-15,000K RGBWW on BSC Stand #218 Posted: 08/04/2022
SUMOLIGHT Introduces new SUMOMAX 1800-15,000K RGBWW on BSC Stand #218

SUMOLIGHT GmbH,known for SUMOSPACE+ and SUMOSKY, introduces the newhigh-output, SUMOMAXLEDlight. With a distinctive hexagonal design, highlumenoutput and modular form factor, this 700W fixture is designed to serve and inspire creative lighting— performing as a keylight, hardlight, punchlight, spacelight, or softlight.

Tags: SUMOLIGHT ,lighting ,production ,equipment ,engineering ,film ,broadcasting ,SUMO100 ,SUMOSPACE ,SUMOSKY ,display ,lighting system ,mixed reality ,studio ,virtual environments ,virtual production ,full-color modular ,SUMOMAX ,powerful ,interactive lightin
Submitted by Lewis Communications
More from this author
Lightware Visual Engineering helps guarantee LED capture quality Posted: 08/03/2022
Lightware Visual Engineering helps guarantee LED capture quality

Lightware Visual Engineering is providing critical equipment that ensures the highest image fidelity on the XR stages undertaking the shooting of many of the highest profile TV shows, movies, and live performances to hit the world’s screens in 2022.

As XR technology evolutionizes the film and broadcast sector, with the technology being used on filming for The Mandalorian, Batman, The Lion King, Thor: Love And Thunder, and more, and companies such as Riot Games use XR to broadcast leading eSports tournaments, the use of LED capture volumes to provide game-changing realism for virtual production environments is truly taking off.



 

Tags: Lightware Visual Engineering ,XR stages ,XR screens ,Live Events ,Matrix Switcher
Submitted by Bubble Agency
More from this author
Custom Consoles Module-R Desk and MediaWall Chosen for Elekta UK campus Posted: 28/02/2022
Custom Consoles Module-R Desk and MediaWall Chosen for Elekta and rsquo;s UK campus

Custom Consoles announces the installation of a Module-R studio control desk and MediaWall multiscreen display support for a newly-completed corporate video production suite at Elekta’s Cornerstone campus in West Sussex. The refinements will allow Elekta to produce high-quality video productions for distribution worldwide.

Tags: Custom Consoles Ltd ,broadcast control room furniture ,Covid-19 safety screens ,Operator Safety Screen ,motorised desks ,manually-adjustable desks ,sound-insulated equipment housings ,MediaWall ,Media Wall ,monitor walls ,post-production studio furniture
Submitted by Stylus Media Communications
More from this author
SUMOLIGHT Adds UK HQ headed by Broadcast Industry Veteran Simon Evans Posted: 23/02/2022
SUMOLIGHT Adds UK HQ headed by Broadcast Industry Veteran Simon Evans

New hand's-on showroom facilities for growing line of lighting solutions located at London's prestigious Elstree Film Studios

SUMOLIGHT GmbH, known for SUMOSPACE, SUMOSKY, new SUMOMAX and other innovative LED lighting, announces the opening of SUMOLIGHT UK Ltd. With an eye to the flourishing British and surrounding media community, the new 2,000 square foot facility offers filmmakers a showroom and the opportunity to test existing and upcoming SUMOLIGHT products. Located at renowned Elstree Film Studios, the accessible ground floor space provides clients with savvy staff, technicians and engineers, as well as 24/7 support.

Tim Zur, Managing Director of SUMOLIGHT GmbH, explains “SUMOLIGHT UK Ltd, has been formed as a one-stop shop solution for the UK and EU markets. This branch will work with key partners to ensure smooth sales support and service of all SUMOLIGHT products, as well as a site for hands-on activities, workshops, training and technical lab sessions and other business and social events.”

At the helm of the new location is Chief Executive Officer Simon Evans, who brings his multifaceted expertise in contemporary broadcast and cinema lighting to SUMOLIGHT. With over 2 decades experience in the field, he has contributed engineering and on-set lighting skill to scores of motion pictures, music videos, television, documentaries, and commercials. With special interest in power generation, power distribution and control systems design, he has also been involved in the R&D of numerous LED fixtures. Through his previous technical managerial positions with NBC Universal International Operations Ltd, Cinelease, Panalux and AFM Lighting, Evans has garnered diverse experience from the point-of-view of the manufacturer, rental house, and filmmakers who use the gear.



Tags: SUMOLIGHT ,lighting ,production ,equipment ,engineering ,film ,broadcasting ,SUMO100 ,SUMOSPACE ,SUMOSKY ,display ,lighting system ,mixed reality ,studio ,virtual environments ,virtual production ,full-color modular ,SUMOMAX ,powerful ,interactive lightin
Submitted by Lewis Communications
More from this author
Custom Consoles Reports Highly Successful 2021 Posted: 24/01/2022
Custom Consoles Reports Highly Successful 2021

Custom Consoles reports a highly successful year across all five of its main market sectors: broadcast, network operation control, process control, security and transport. The company experienced sustained demand during 2021 from customers in the UK, mainland Europe, the USA, APAC and the Middle East.

Tags: Custom Consoles Ltd ,broadcast control room furniture ,Covid-19 safety screens ,Operator Safety Screen ,motorised desks ,manually-adjustable desks ,sound-insulated equipment housings ,MediaWall ,Media Wall ,monitor walls ,post-production studio furniture
Submitted by Stylus Media Communications
More from this author
New Matthews 5 Pocket C-Stand Posted: 23/12/2021
New Matthews 5 and rdquo; Pocket C-Stand and trade;

Sliding Leg C-Stand with Grip heads and Arm

Matthews C-stands have been a mainstay on sets for over 50 years. Now there’s one that literally fits in your pocket. Matthews 5” Pocket C-Stand™ offers familiar features in a super-compact form, including a rugged steel build with a double riser, sliding leg and 2 fully functional aluminum grip heads with 3/16 holes.


Tags: Matthews ,Grip ,grip equipment ,Lighting ,lighting support ,Matthews ,Matthews Studio Equipment ,Sheet Plate ,gaffer ,local 80 ,cinematography ,production ,set ,Floppy ,flag ,protection ,crew ,safety ,stands ,screens ,frames ,slider
Submitted by Lewis Communications
More from this author
Matthews BM1 Bulb Mount and trade; for Aputure and Astera LED Bulbs Posted: 10/12/2021
Matthews and rsquo; BM1 Bulb Mount and trade; for Aputure and Astera LED Bulbs

Matthews Studio Equipment introduces an easy, grip-compatible solution to hold the industry’s professional medium-sized dimmable LED bulbs by Aputure and Astera. The BM1 Bulb Mount™ offers a quick, versatile and inexpensive answer for mounting these battery-powered bulbs to various types of grip equipment and ¼-20 hardware.

Designed for any E26/E27 medium bulb, the Mount offers a standard lamp socket thread (1.25” OD) to accept an LED bulb. At the other end a standard ¼”-20 female threaded insert is ready to accept a Micro Grip Pin, Scissor Clamp, Micro Grip Rod and more.

With a low-profile matte black surface, the BM1 Bulb Mount is made of lightweight yet sturdy molded nylon. It measures 2.6”/66mm long and weighs just 0.8-oz/22g.

Matthews BM1 Bulb Mount is available through the company’s worldwide dealer network. For more information visit https://bit.ly/MSE_BM1 or www.msegrip.com




Tags: Matthews ,Grip ,grip equipment ,Lighting ,lighting support ,Matthews ,Matthews Studio Equipment ,Sheet Plate ,gaffer ,local 80 ,cinematography ,production ,set ,Floppy ,flag ,protection ,crew ,safety ,stands ,screens ,frames ,slider
Submitted by Lewis Communications
More from this author
NativeWaves EXP Redefines the Fan Engagement Experience for Mobile, In-Venue and Home Entertainment Posted: 03/12/2021
NativeWaves EXP Redefines the Fan Engagement Experience for Mobile, In-Venue and Home Entertainment

NativeWaves has announced the launch of NativeWaves EXP, a new offering that enhances today’s standard broadcast and streaming experience by giving audiences the chance to explore a wealth of additional content at their leisure in order to dive deeper into the action.

Tags: NativeWaves ,NativeWaves EXP ,Second Screen ,Multi-Camera ,Low Latency Streaming ,IBC 2021
Submitted by White Noise Public Relations Ltd
More from this author
All news

These Articles may interest You
A switch in time: how KVM can unlock the future of broadcasting
Chris Smeeton

One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the previous year.

Tags: KVM ,ARGOSY ,GDSYS ,KVM Tech
Contributing Author Chris Smeeton Click to read
Sennheiser MKE 400 hands on review and test
Simon Tillyer

Sennheiser have just released two products aimed at simplifying audio on the move, the MKE400 shotgun microphone and the XS Lav Mic, in this review we’re looking at the MKE400.

Tags: sennheiser mke400 ,sennheiser mke 400 ,sennheiser mke 400 quality ,best microphones for youtube ,mic for youtube videos ,sennheiser mke 400 hands on ,microphone review ,iphone videography ,microphones ,sound for video ,camera microphone ,microphone for iphone ,microphone for youtube ,video microphone ,shotgun mics ,smartphone microphone ,vlogging mic ,best microphone for video ,shotgun microphone review ,mke 400 ,sennheiser mke 400 hands on review ,sennheiser mke 400 test
Contributing Author Simon Tillyer Click to read
A Broadcasters Guide to Microservices
Roger Persson

The word “microservices” has been creeping into the conversation about software-centric systems recently. Is it really a different approach, what does it mean, and what are the advantages?

Tags: nxt edition ,microservices ,modular software
Contributing Author Roger Persson Click to read
Streaming Technologies Explained
Bruce Devlin - new

The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. 

Tags: mr mxf ,streaming ,hls ,dash ,cmaf ,mpeg
Contributing Author Bruce Devlin - new Click to read
HOLLYLAND LARK 150 Review
Phil Vinter

The exponential growth of video supercharged a technological revolution that began in the early noughties with the advent of DSLR cameras.
The cinematic-style shallow depth of field image video quality from DSLRs was a revelation, but, back then audio was the big drawback. As demand has grown so the technology has improved and today’s one-man-band small rig set ups can capture pretty good sound into a DSLR style camera.

Phil Vinter reviews the latest release from HOLLYLAND and it's a thumbs up from us.

Tags: HOLLYLAND ,radio mic ,audio ,LARK-150 ,CVP
Contributing Author Phil Vinter Click to read
AJA Video Systems - Ki Pro GO User Review with Spellbinder Films
Ben Sherriff The Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities. Our friend Ben Sherriff tales a look
Tags: AJA ,ki pro go ,dit ,h.264 ,recorder ,live events ,usb recording ,10bit
Contributing Author Ben Sherriff Click to read
In Ear Monitors Help The Cast And Crew of Americas Got Talent Cope With Covid19 Restrictions
KitPlus Capturing performances for television is a stressful business, especially if the programme is being filmed live. You want everything to be perfect but you are also aware that many things can go wrong, even with the best laid plans.
Tags: bubblebee ,inear ,sidekick
Contributing Author KitPlus Click to read
ITN using Densitron Intelligent Display System across multiple news programmes
KitPlus Impressed by the system’s flexibility, ITN has gradually rolled-out the IDS solution for display and control applications across ITV, Channel 4 and Channel 5 news output
Tags: ids ,densitron ,itn ,newsroom ,display
Contributing Author KitPlus Click to read
Control, as easy as pressing a button
Bazile Peter

A fundamental issue with control surfaces in modern broadcast operations is that they are, for the most part, old fashioned.

The ease, responsiveness, and functionality of touchscreens, especially in Smartphones are now commonplace. Attributes that are largely absent from touchscreens are typically buttons, sliders, and dials found on many control devices associated with human machine interaction.

Tags: iss142 ,densitron ,monitor ,tactile
Contributing Author Bazile Peter Click to read or download PDF
The Business Case for Hybrid TV and AI
Oliver Botti Video on demand (VOD) and OTT live services have come a long way since their introduction and, rather than solely competing with traditional broadcasting, they are becoming more important than ever in helping to keep broadcast TV networks popular, in particular when combining TV broadcasting with online TV into Hybrid TV models, thanks to convergence standards such as HbbTV and Atsc3.0. In the UK, the average weekly OTT viewing minutes shot up from 60 in July 2015 to 152 in September 2018. Meanwhile, OTT TV and video revenues are expected to reach $6.8 billion by 2023 in the UK and $61 billion in the US.
Tags: iss142 ,fincons ,ott advertising ,vod ,ott ,hybrid tv ,augmented overlay ,faang
Contributing Author Oliver Botti Click to read or download PDF
All articles