ZEISS Primes, Awards, and Live Events at Cine Gear Expo 22 Booth # 143
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Posted: 04/06/2022
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Renowned lens giant ZEISS is pulling out the stops at Cine Gear Expo June 9, 10, and 11, 2022 with a host of activities and events dedicated to cinematography
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Tags: Zeiss
,lenses
,optics
,cinema optics
,resolution
,frame rate
,shutter speed
,aperture adjustment
,autofocus
,broadcast
,film
,video
,film
,television
,production
,streaming
,cinematographers
,videographers
,cinematography
,filmmaking
,ASC
,director of pho
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Submitted by Lewis Communications
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New Snapbag and reg; for Astera Hydra
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Posted: 04/06/2022
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There's a new Snapbag® on the scene just in time for Astera’s latest LED wonder— Hydra. Custom-designed to perfectly fit the Hydra, the patented Snapbag softbox offers the added softening control discerning cinematographers request.
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Tags: DoPchoice GmbH
,Light Modifiers
,ARRI Orbiter
,Obiter
,Lightbank
,Snapbag
,lighting
,cinematography
,Local 728
,Local 80
,gaffer
,light control
,cinema tools
,LED
,Rabbit Rounder
,Snapgrid
,TRP Worldwide
,Snapbag
,reflective fabric
,internal 3D Baffle
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Submitted by Lewis Communications
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New ZEISS Prime and Live Events at NAB 2022 See it at Booth # C7718
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Posted: 22/04/2022
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At NAB 2022 ZEISS will show their high-end cine optics including the US introduction of the new wide 15mm T1.8 lens which completes the 14 lens Supreme Prime set. Attendees can also experience the Supreme Prime Radiance family, known for its ability to produce stunning blue flares. Glass enthusiasts can also check out the CZ.2 full-frame Cinema Zooms and CP.3 cinematography lenses as well as an array of optics for videography.
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Tags: Zeiss
,lenses
,optics
,cinema optics
,resolution
,frame rate
,shutter speed
,aperture adjustment
,autofocus
,broadcast
,film
,video
,film
,television
,production
,streaming
,cinematographers
,videographers
,cinematography
,filmmaking
,ASC
,director of pho
,NAB 2022
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Submitted by Lewis Communications
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Introducing ZEISS Supreme Prime 15mm T1.8
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Posted: 08/04/2022
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ZEISS introduces the Supreme Prime 15mm T1.8 to complete the successful Supreme Prime lens set, renowned for outstanding quality, light weight, and cinematic look. The 14-piece cine lens series ranges from 15 to 200mm with maximum apertures of T1.5 to T2.2. ZEISS covers a full range of focal lengths in demand by cinematographers from around the world. |
Tags: Zeiss
,lenses
,optics
,cinema optics
,resolution
,frame rate
,shutter speed
,aperture adjustment
,autofocus
,broadcast
,film
,video
,film
,television
,production
,streaming
,cinematographers
,videographers
,cinematography
,filmmaking
,ASC
,director of pho
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Submitted by Lewis Communications
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Women in Media + ZEISS Altitude Awards
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Posted: 08/04/2022
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ZEISS Cinema Americas and Women in Media celebrate Women's History Month with the new Altitude Awards. These Awards honor the technical and artistic achievements of creatives who are making meaningful, well-crafted stories in the camera and lighting departments. The competition is open to professional and student WIM members working as cinematographers, camera operators and gaffers. First prize is $3000 cash and a full week use of ZEISS Supreme Prime or Supreme Prime Radiance lenses. |
Tags: Zeiss
,lenses
,optics
,cinema optics
,resolution
,frame rate
,shutter speed
,aperture adjustment
,autofocus
,broadcast
,film
,video
,film
,television
,production
,streaming
,cinematographers
,videographers
,cinematography
,filmmaking
,ASC
,director of pho
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Submitted by Lewis Communications
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Introducing Rabbit-Rounder Universal for Nanlux, Feliix, Aputure and amp; more with Bowens mount systems
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Posted: 05/04/2022
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DoPchoice and TRP Worldwide premiere a new mounting solution for Snapbag softboxes: the Rabbit-Rounder Universal. It's the versatile answer to mounting a variety of DoPchoice Snapbags, Octas, and Lanterns to the growing range of fixtures with Aputure, Fiilex, Nanlux, and others with industry standard Bowens mounts. With the patent-pending Rabbit-Rounder® Universal, one system fits a range of lights and softboxes.
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Tags: DoPchoice GmbH
,Light Modifiers
,ARRI Orbiter
,Obiter
,Lightbank
,Snapbag
,lighting
,cinematography
,Local 728
,Local 80
,gaffer
,light control
,cinema tools
,LED
,Rabbit Rounder
,Snapgrid
,TRP Worldwide
,Snapbag
,reflective fabric
,internal 3D Baffle
,NAB 2022
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Submitted by Lewis Communications
More from this author
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New DoPchoice Snapbag and reg; for Astera NYX Bulb
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Posted: 23/02/2022
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To make the most of Astera’s round NYX LED Bulb, DoPchoice now offers a custom-designed, patented Snapbag® softbox to pleasingly soften the output of this innovative lighting. |
Tags: DoPchoice GmbH
,Light Modifiers
,ARRI Orbiter
,Obiter
,Lightbank
,Snapbag
,lighting
,cinematography
,Local 728
,Local 80
,gaffer
,light control
,cinema tools
,LED
,Rabbit Rounder
,Snapgrid
,TRP Worldwide
,Snapbag
,reflective fabric
,internal 3D Baffle
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Submitted by Lewis Communications
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Netflix Film Dont Look Up Graded with DaVinci Resolve Studio
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Posted: 21/02/2022
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Netflix’s “Don’t Look Up” follows two academic astronomers who, after discovering a comet destined to destroy the Earth within six months, must go on a giant media tour to warn humankind. The film was directed by Adam McKay with cinematography by Linus Sandgren FSF, ASC. The film was graded by Matt Wallach at Company 3 using DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software.
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Tags: Blackmagic Design
,Announcement
,Dont Look Up
,Grading
,Editing
,Visual Effects
,Matt Wallach
,Company 3
,DaVinci Resolve Studio
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Submitted by Blackmagic Design
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ZEISS Supreme Primes Work Day and Night for Plan B and mdash; Cinematographer Sandra Valde-Hansen on Large Format
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Posted: 10/02/2022
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Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for Natalie Morales' film Plan B. This road movie, now streaming on Hulu, follows a pair of teenaged friends during a day-and-night search for emergency contraception. To support the production design filled with rich night exteriors, Valde-Hansen chose ZEISS Supreme Primes to shoot large format at wide apertures on the Sony Venice camera. |
Tags: zeiss
,optics
,lenses
,Sandra Valde Hansen
,cinematographer
,director of photography
,production
,filmmaking
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Submitted by Lewis Communications
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