Magewell -- the award-winning developer of innovative video interface and IP workflow solutions -- is heading to Beijing for one of the professional AV industry's first in-person trade shows in many months. Exhibiting in booth FD2-01 at InfoComm China from September 28 to 30, the company will showcase both new and established offerings that address the hottest trends in today's dramatically evolving AV landscape.

Magewell has introduced a trio of new models in its Pro Convert family of low-latency video-over-IP encoders and decoders. The Pro Convert 12G SDI Plus encoder converts 4K/60fps, 12G-SDI input signals into full-bandwidth NDI(r) streams, while the Pro Convert for NDI(r) to SDI and Pro Convert H.26x to SDI decoders transform NDI, H.264 or H.265 streams into high-quality SDI outputs for connection to monitors, projectors and legacy equipment.

India’s pro audio community can now access Prism Sound’s high quality range of converters and audio interfaces through Trimac Products Private Limited (www.trimacppl.com), a leading audio company with offices in Dehli, Mumbai, Kolkata and Chennai.

Magewell today announced new updates for the company's Pro Convert for NDI(r) to HDMI and Pro Convert for NDI(r) to HDMI 4K standalone IP decoders that further expand the devices' support for Newtek's evolving NDI(r) media-over-IP technology. The free upgrades add compatibility with the high-efficiency, lower-bitrate NDI(r)|HX mode in NDI(r) 4, complementing the decoders' existing support for full-bandwidth NDI streams.

To future-proof broadcast workflows for Turkish television network ATV, regional systems integrator AVITENG was recently tapped by Turkuvaz Media Group for their development of a new hybrid architecture that combined the existing baseband infrastructure with a broadcast IP and 12G-SDI framework. Rollout of the upgraded system for ATV, Turkuvaz’s flagship channel and one of Turkey’s most prominent networks, coincided with the move to a new state-of-the-art media center facility. Deployment of the robust hybrid system included a range of AJA Corvid and KONA I/O cards and AJA openGear-compatible Converters used throughout both broadcast baseband and SMPTE ST 2110-20 IP workflows.

Wooden Camera is excited to announce a full range of RED Approved accessories compatible with the much-anticipated RED KOMODO camera. These products are currently available for pre-order with an expected ship date in early August.

The Accessory Kits range from Base, Advanced, and Pro and include all new RED KOMODO specific accessories like the LW 15mm Baseplate (RED KOMODO) and Complete Top Mount Kit (RED KOMODO, ARCA Swiss). The Complete Top Mount Kit features a brand-new Top Mount that provides a center ARCA Swiss style dovetail clamping slot as well as 1/4-20 and 3/8-16 threaded holes for attaching accessories. The kit includes all three top mount ARCA Swiss accessories: Top Handle, Monitor Hinge, and Top Plate.

Mo-Sys, a world leader in precision camera tracking solutions for virtual studios and augmented reality, has brought virtual studio production within reach of everyone with StarTracker Studio, the world’s first pre-assembled production package. The system is scalable to any size production, and can support 4K Ultra HD.

Critical for virtual studio and augmented reality production is to track the position of each camera in three-dimensional space across all six axes of movement. StarTracker from Mo-Sys is proven as the most precise and reliable camera tracking package, using dots on the studio ceiling (“stars”) which are placed at random and tracked to plot camera positions with extraordinary accuracy.

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

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About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205

Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171