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ARRI MASTER PRIME Set

ARRI Master Prime 6 Lens Set 18, 25, 35, 50, 75, 100mm T1.3

Price: £95,000.00
Location: United Kingdom
Condition: New
Viewed: 530 times
Date Expires: 03/07/2020
Item ID: 206277

ARRI Master Prime 6 Lens Set 18, 25, 35, 50, 75, 100mm T1.3

ARRI MASTER PRIME Set

Breath-taking Performance

Super fast lenses at T1.3

Dual Scale (feet & metres) user changeable

No geometric distortion

Virtually no breathing

PRICE ADVERTISED DOES NOT INCLUDE VAT

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FilmLight teams up with ARRI in Paris creative community

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The hub will host the first of FilmLight’s Colour Day workshops in 2020, on 28 January. One of the advantages of sharing the centre with ARRI is that it underlines the seamless workflows from camera to finish, using the BLG format for render-free viewing and creativity. The BLG grading metadata is stored in the ARRIRAW and QuickTime headers, ensuring the content and its look are permanently linked.

The Paris Colour Day on 28 January, aimed at creatives and technicians in production and post production, will see FilmLight’s workflow specialists, Straub and Thomas Eberschveiler unveil new FilmLight tools. Attendees will also hear from guest colourist Stéphane Azouze about his collaboration with directors Anastasia Mikova and Yann Arthus-Bertrand on the recent award-winning documentary ‘Woman’. Finally, colour scientist Florine Bel will share her image expertise and discuss her work developing film aesthetics, colour spaces and conversions.

The shared space has already hosted successful events, including a workshop day for DITs. Led by Straub, with guest speakers from Netflix and from post house Mikros, the group discussed the latest developments in colour space management and workflows. ARRI’s presence allowed the discussion to include ARRI Looks and how they can be incorporated into FilmLight BLG post production. In the demonstration area, they featured an ARRI ALEXA camera feeding Prelight and Daylight software, allowing the delegates to experiment with look development and make comparisons between standard and high dynamic range colour spaces.

Explaining the importance of bringing together creative artists and technicians, FilmLight’s Matthieu Straub said “My background is as a digital image technician, and I know how directors and cinematographers are increasingly relying on DITs to find technical solutions to their demanding creative requirements. “Our intention is to use our demonstration and meeting space here on the Rue René Boulanger to be a place where we can encourage the sharing of knowledge and experiences, to help the French cinema industry achieve ever greater things.”

Tags: FilmLight ,ARRI ,Paris ,Colour Day ,Matthieu Straub ,workshop ,Thomas Eberschveiler ,Stéphane Azouze ,colourist ,colour science ,BLG format ,Baselight ,Prelight ,Daylight ,MKM Marcomms ,MKM Marketing Communications
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It and rsquo;s not just about the kit. Practical solutions for creative people from CVP at BSC Expo 2020

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Tags: CVP ,BSC ,Zeiss ,Cooke ,Arri ,Angenieux ,Leitz ,Canon ,Sigma ,Sony ,Kowa
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