Using Modern Technology at Envy Provides a View into the Future of Post Production
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ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work during the COVID-19 pandemic any easy one. Although project files and media are stored securely on-premises at ENVY’s facilities in London, they are able to collaborate globally thanks to their forward-thinking approach to post production. |
Tags: envy
,signiant
,media shuttle
,assetts
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How to engage students with live projects
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For many employers, how and what we teach at university is sometimes considered to be very mysterious. The responsibility for creating the structure and content within the curriculum is the responsibility of academics. In my experience, the best method for making sure that students and staff are kept up to date with current working practices is to regularly engage with ‘Live’ projects and ‘Real’ clients. |
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,ccitv
,university portsmouth
,charles haskell
,vlogs
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Why Routing Control
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Routing control sits at the very heart of all advanced control systems. A well-configured system that manages signal routes throughout a facility and groups multi-level actions into a single control surface allows for much richer and focused production. Using one-touch panels, operators could route video, audio and data signals between the various elements of a network, perhaps to route a camera signal to a vision mixer, as well as through other processors, before it arrives at its destination. Users could adopt routing control to trigger an external event, a complete reconfiguration of a multi-router setup, route several sources simultaneously, or make set routes or multiple routes via a single button press. |
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,es broadcast
,tsl products
,remote production
,tallyman
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Live Streaming Workflows Examined
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In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the delivery platform and the type of display that it’s intended for. There is no one-size fits all approach. |
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,aja video
,espn
,rtmp
,helo
,h.264
,nesn
,wallcast
,fido
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Complex Live Streaming At Scale
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On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections. |
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,zixi
,streaming
,video transport
,ip
,zen master
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Testing Hybrid Workflows
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With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now faced with the significant challenge of having to manage and monitor a wide array of new signal types in order to provide properly managed workflows. The switch away from HD-SDI is not happening overnight and, indeed, is happening at different speeds in different parts of the world. Due to this rapidly evolving technology landscape, reliable and versatile test and measurement (T&M) solutions have never been more important. |
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,phabrix
,2022-7
,st2110
,smpte
,aes3
,anc data
,hd-sdi
,ptp
,qx rasterizer
,lawo V_pro8
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Solving Rigorous Digital Workflow Challenges
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Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles.
The company was on the hunt for a scalable, high-performance storage solution that would meet the rigorous demands of a large-scale live-action film project for a major Hollywood studio.
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,rebel fleet
,alexa 65
,nas
,quantum
,stornext
,qxs
,storage
,mam
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On Stage At Festival Beauregard
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Set in the majestic grounds of the Chateau de Beauregard, and in its eleventh year, the festival is an eclectic mix of homegrown French talent and international artists spanning pop, rock, punk and dance. We made the hop across the channel to find out more. |
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,blackmagic
,atem
,hyperdeck mini
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Why MADI is Still Relevant
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While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape. |
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,madi
,tsl products
,aes10
,aes
,dolby atmos
,st-2110
,sam-q
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