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Arri Center Camera Handle - K2.73002.0 - Image #1

Arri Center Camera Handle - K2.73002.0

Arri Center Camera Handle - K2.73002.0

Price: £141.00
Location: United Kingdom
Condition: New
Viewed: 717 times
Date Expires: 08/04/2021
Item ID: 210832

Arri Center Camera Handle - K2.73002.0

Arri Center Camera Handle - K2.73002.0

Attaches to the ALEXA M and ALEXA XT M head or Top Adapter Plate for Sony F-5/F-55 and provides numerous 3/8"-16 UNC threaded mounting points for accessory mounting.


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BLACKMAGIC DESIGN ANNOUNCES BLACKMAGIC CAMERA UPDATE 6.9 Posted: 06/04/2020
BLACKMAGIC DESIGN ANNOUNCES BLACKMAGIC CAMERA UPDATE and nbsp;6.9

Blackmagic Design today announced new software update for its popular Blackmagic Pocket Cinema Camera 4K and 6K models that include powerful studio camera features. Now customers can connect to an ATEM Mini switcher and get control of the camera parameters, lens and tally light. ATEM Mini can control up to 4 cameras via the HDMI video connection and ensure all cameras are perfectly matched for a professional live studio workflow. Now the same Blackmagic Pocket Cinema Camera can work as a digital film camera and a studio camera!

Blackmagic Camera Update 6.9 is available for download now from the Blackmagic Design web site.

Video and control is via the HDMI connection, which is available as soon as customers plug the cameras in. The record light becomes a tally light so customers can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching their cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for color tint to balance the camera as well as focus, gain and shutter speed. Customers can even ISO record Blackmagic RAW in the camera for editing later.

The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions.

Tags: Blackmagic Design ,Blackmagic ,Cameras ,Pocket Cinema Camera ,BMPCC4K ,BMPCC6K ,Studio Features ,ATEM ,Live Production ,Live Streaming
Submitted by Blackmagic design
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Marshall Electronics Addresses the Latest Broadcast Production Workflows With Four New IP Cameras Posted: 07/04/2020
Marshall Electronics Addresses the Latest Broadcast Production Workflows With Four New IP Cameras

Marshall Electronics continues to support the industry’s evolving digital broadcast and production workflows with the introduction of four new IP cameras, the CV730-BK Camera, the CV630-IP PTZ Camera, the CV420-30X-IP Camera,and the CV355-30X-IP Camera. These new offerings give Marshall Electronics customers the ability to easily integrate versatile HD and UHD video into any IP-based workflow.

These new cameras provide a wide variety of resolution options – the CV730-BK PTZ Camera provides up to UHD (3840x2160) video resolutions at 60fps through IP, HDMI, and 12GSDI simultaneous outputs; the CV630-IP PTZ Camera offers UHD (3840x2160) resolution up to 30fps through IP and HDMI outputs, and 1920x1080p (HD) outputs at 60fps through 3GSDI; the CV420-30X-IP Zoom Camera provides up to UHD (3840x2160p) resolution at 60fps through simultaneous HDMI and IP streams; and the CV355-30X-IP delivers up to HD (1920x1080p) resolution at 60fps through 3G/HD-SDI, IP, and HDMI. All four models offer 30X optical zoom range, allowing users to capture fine detail in every shot, even from longer distances.

“As IP-based workflows start to replace SDI, these new IP cameras are an exciting addition to the Marshall camera family,” says Tod Musgrave, Director of Cameras at Marshall Electronics. “Marshall Electronics continues to present new products to the marketplace that meet changing workflow requirements. Our new IP cameras also now provide a range of resolutions from 4K, UHD, and HD, offering an IP camera model that fits every specific project need with multiple simultaneous outputs.”

Tags: Marshall Electronics ,Broadcast ,IP Cameras
Submitted by D. Pagan Communications
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FOR-A FT-ONE-SS4K Ultra High-Speed Cameras Capture 4K Footage at 1,000 fps for Live Production Posted: 07/04/2020
FOR-A FT-ONE-SS4K Ultra High-Speed Cameras Capture and nbsp;4K Footage at 1,000 fps for Live Production

As audience appetites for sports coverage continue to increase, FOR-A Corporation of America offers a range of FT-ONE variable frame rate cameras to deliver the action in super slow motion. Recent advances now allow playback of 4K video at up to 1,000 frames per second to provide incredible detail for live broadcast applications.

“Sports continue to be a driving factor in the need for high frame rate cameras, and nobody delivers instant replays like FOR-A,” explained Ken Truong, President of FOR-A Corporation of America. “Our FT-ONE special purpose cameras are designed for super-slo-mo 4K acquisition of sports and other live event footage, and can be combined with other FOR-A tools to deliver unprecedented replay flexibility.”

For example, several FT-ONE-SS4K cameras were used for critical ultra-slo-mo replays during the live broadcast of the 2019 Champions League final in Madrid, as well as other high-profile live sports event across the world. The exceptional feature of the FT-ONE-SS4K is “brightness.” When equipped with a B4 bayonet lens, the camera shoots footage up to four times brighter than models with a PL lens. Plus, the FT-ONE-SS4K shoots up to 1,000 fps in 4K, offers simultaneous record and playback with internal memory, and features independent real-time 4K or HD output. Other features include 24-axis color correction and compatibility with Canon’s OLED viewfinder.

Tags: slo-mo ,variable frame rate ,instant replay ,video camera ,4K ,HD ,sports production ,live production
Submitted by Pipeline Communications
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AVer Europe CAM520 camera certified for Google Hangouts Meet Posted: 23/03/2020
AVer Europe CAM520 camera certified for Google Hangouts Meet

AVer Europe has announced its bestselling CAM520 professional plug-n-play camera has received certification for Google Hangouts Meet hardware, providing automatic updates, syncing and flexibility for users.

Creating a seamless communications experience, this partnership between Google and AVer Europe enables users to start chat conversations or video calls, make phone calls using Wi-Fi or data, send text messages with Google Voice or Project Fi, and automatically sync devices across their network.

Support for Google Hangouts Meet hardware begins with Chrome 70 update and offers more flexibility to a conference room and ensures that the CAM520 is always up to date with the latest software from Google, reducing any delays or potential barriers within video conferencing.

The AVer CAM520 is a professional grade yet user-friendly PTZ camera that is perfect for mid to large conference rooms. With 12X optical zoom, fast auto-focus functions, HD 1080p and smooth pan, tilt, zoom capabilities, the CAM520 results in uninterrupted sharp images for an outstanding video communication experience.

The AVer CAM520 comes in a silver casing, with a three-year warranty and a two-year extension automatically upon successful completion of registration.

Tags: google; camera; technology; remote working; conferencing; video conferencing
Submitted by AVer Europe
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One choice that ticks all the boxes....Peli cases Posted: 20/03/2020
One choice that ticks all the boxes and hellip;.Peli cases

Documentary television cameraman Jonathan Young has relied on Peli cases to protect and transport his valuable camera kit for over 20 years. He has travelled with Peli cases to the most inhospitable and sometimes downright dangerous locations throughout the world, including war torn Afghanistan and Gaza.

He has embarked on his latest adventure with several new Peli Air cases; these have been designed and engineered to maintain the same level of durability, but reduce the weight of each case by up to 40 percent. Air cases are waterproof and crushproof and offer additional sizes to the Peli Protector and Peli Storm case lines.

Jonathan explained “I am shooting the new series, the South America leg of The America’s with Simon Reeve for BBC. This is the first leg of the journey across the Guyana Shield; Southern Venezuela, Guyana, Surinam, French Guiana.

These pictures were taken at the top of a Tepui. A Tepui is where the indigenous people’s gods live. They are sacred spaces that are 2800m above sea level. When working and camping at that altitude in such a rugged terrain, you have to be able to rely on the equipment you bring with you. To protect that equipment from the elements - sand, rain and the rough handling in transport to the top of the mountain in a cargo net slung under a helicopter, there is only one choice that ticks all the boxes…Peli cases.

The new Air range has taken every single journey I have made across various remote parts of the globe, housing my camera kit in its stride. I had worried at first that the cases might be too thin. My fears were unfounded. The cases I have used, they have taken every beating and battering baggage handlers, airports, rough tracks in pickups and the exposure to the elements. They have done exactly what they were supposed to do.”

The Peli Air range is now available in 16 sizes with more colour choices for many models. Deep cases and a long version, the 1745, have recently been added to the range.

 

 

Tags: Pelican case ,Peli case ,camera case ,camera kit ,protective case ,protection ,waterproof ,rugged case ,tough case ,watertight case
Submitted by Peli Products (UK) Ltd
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Mo-Sys Transforms Remote Production and Virtual Studios Posted: 11/03/2020
Mo-Sys Transforms Remote Production and Virtual Studios

Mo-Sys Engineering, a global leader in real time camera tracking and camera remote systems, can now remotely operate cameras on the other side of the world, without perceived delay, with the launch of TimeCam.

TimeCam represents a triple benefit to production companies. First, there is the saving in cost and environmental impact in sending camera operators to site. Second, it means that the most in-demand operators can be much more productive, providing excellent coverage at a live event each day rather than losing time through travel. Third, it means that you can add cameras to your coverage without adding headcount: for instance, a downhill ski race might have eight cameras along the course, with one operator controlling cameras 1, 3, 5 and 7 and a second controlling 2, 4, 6 and 8.

“’Traditional’ remote production puts the control back at base, but still needs camera operators to travel to the location,” explained Mo-Sys CEO Michael Geissler. “By compensating for latency in transmission and compression/decoding, TimeCam means that operators too can stay at base and be much more productive by operating on several events, when normally they could only be on one.”

As well as unveiling TimeCam, Mo-Sys will also demonstrate its flagship virtual studio technology StarTracker, which uses a constellation of dots on the studio ceiling as a camera tracking system. This is now extensively used by many prestige broadcasters to provide the tracking for augmented reality studios and is increasingly being built-in to studio cameras.

Whereas most virtual studios use a proprietary graphics system which in turn uses the Unreal gaming engine from Epic Games, StarTracker Studio (in a 19” rack) now features the plug-in Mo-Sys VP which we like to call Unreal Unleashed, a direct interface between the camera tracking and the UE4 render engine. Through the plug-in, control is direct, and no other software layer is wrapped around the Unreal Engine allowing full access to the latest UE4 features.

“Both TimeCam and StarTracker with Unreal Unleashed are transformative technologies, capable of bringing new creativity and productivity to the broadcast and movie worlds, allowing sophisticated productions around the globe,” Geissler said.

www.mo-sys.com

Tags: Mo-Sys Engineering ,NAB ,real time camera tracking ,camera remote systems ,TimeCam ,virtual studio ,augmented reality ,latency ,transmission ,compression/decoding ,StarTracker ,Mo-Sys VP .Unreal Unleashed ,UE4 render engine ,turnkey ,NAB 2020 ,NAB 2020
Submitted by Manor Marketing
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StreamGear to Make NAB Show Debut with Hotly Anticipated VidiMo Live Streaming Production Solution Posted: 09/03/2020
StreamGear to Make NAB Show Debut with Hotly Anticipated VidiMo Live Streaming Production Solution

Streaming solutions startup StreamGear is making their first NAB Show appearance this year to showcase its eagerly-anticipated, smartphone-empowered VidiMo handheld, live production system. The company will exhibit in booth C12439 and the CineCentral pavilion (C9232). 

VidiMo – short for Video director on Mobile – turns a smartphone and HDMI video source (such as a camera) into a full-fledged, virtual production and transmission studio, enabling a single operator to produce multi-source, television-style shows that can be streamed live, recorded or both. Offering an easier way for both video professionals and enthusiasts to create and stream engaging, high-quality, live productions, the hardware-and-app combination enables anyone to become a multi-camera producer, social media video star or citizen journalist.

Combining the battery-powered VidiMo Go hardware with the powerful VidiMo Show app, VidiMo lets content creators combine the compact convenience, increasing camera quality and intuitive ease of today’s latest smartphones with the superior creative functionality of a dedicated video or DSLR camera. Users can simply capture the camera’s HDMI signal into their iOS or Android smartphone for live streaming, or use the app’s elegant interface and advanced features to create sophisticated live shows that combine the HDMI input with the phone’s camera and other sources. 

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Submitted by Write Turn Communications
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Marshall Electronics and rsquo; CV502 Mini Camera Adds Versatility To Studio 637 and rsquo;s Range of Broadcast and Live Streaming Projects Posted: 04/03/2020
Marshall Electronics and rsquo; CV502 Mini Camera Adds Versatility To Studio 637 and rsquo;s Range of Broadcast and Live Streaming Projects

Kevin Yamada, creative director and owner of Studio 637, has seen his business takeon multiple roles in the video and audio production industry over the lastseveral years. He recently began using Marshall Electronics CV502-MB Miniature Broadcast camera for use with musical, live stream and reality televisionprograms. Beginning as a recording studio, Yamada has grown Studio 637 into aworld-class facility offering recording, video and live streaming productionservices to clients with a myriad of projects ranging from music and televisionto corporate and non-profit events and productions.

As the studio’s services continue to grow, Yamada needed to ensure that his gear can accommodate his clients’ growing listof production needs. When he found out about Marshall Electronics’ CV502camera, he instantly found a place for it in his arsenal of production gear. “Welove the Marshall CV502 because it has great image quality,” says Yamada. “It’ssmall and discreet, and it’s loaded with a ton of great features. Its smallform factor and black finish makes it the perfect camera to put right in themiddle of the action without being in the way. It supplements our larger formatcameras in that it can capture unique angles that would be difficult for alarge camera and operator to achieve.”

Measuring only two inches from front to back, the CV502 is ideal for tight spaces, offering new and exciting angles for videoand live streaming projects. Sporting a 2.5 mega-pixel, 1/3-inch CMOS sensor and a 3.7mm M12 prime lens, the CV502 provides a high-quality image along with quickand easy lens interchangeability. It features 3G/HD-SDI outputs at resolutionsof 1920x1080i, 1920x1080p, 1280x720p and frame-rates of 60/59.94/50/30/29.97/25fps. The CV502 supports RS-485 power connection through an included 12V supply.Setting control comes effortlessly via the OSD menu joystick, which offers fullaccess over the camera’s versatile settings including image stabilization,digital zoom, dynamic range, vertical flip and night vision.

Tags: Marshall Electronics ,Camera ,Broadcast
Submitted by D. Pagan Communications
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Shotoku to Launch Next Phase in Technical and Operational Developments for Robotic Camera Control at NAB 2020 Posted: 26/02/2020
Shotoku to Launch Next Phase in Technical and Operational Developments for Robotic Camera Control at NAB 2020

Shotoku USA, Shotoku Broadcast Systems’ North American operation, will launch the next phase in technical and operational developments for robotic control systems at NAB 2020 in Booth C 9108. The international manufacturer of high-quality, easy-to-use, robust and reliable robotic and manual camera support systems will demonstrate advancements that incorporate an IP interface into its flagship SmartPed robotic pedestal; a self-contained and easy to connect pan/tilt head; numerous enhancements incorporated into the Company’s TR-XT control system and will also highlight its height drive and pan/tilt head ideal for legislative applications.

SmartPed Fully Robotic Pedestal – Absolutely Brilliant Navigation

SmartPed with Absolute Navigation is perfect for those applications where referencing the fully robotic pedestal is inconvenient or the design of the studio leaves no scope for a floor tile reference position. SmartPed now comes with two optional additions depending on the environment – AN-I is an IP interface within SmartPed enabling it to interface to existing external optical tracking systems such as Mosys StarTracker or Stype RedSpy using the absolute tracking information to reference and adjust the pedestals own internal navigation systems. AN-S provides a full integrated solution, including the optical tracking system for situations where customers do not already have installed optical tracking.

Tags: Shotoku ,NAB 2020 ,SmartPed Robotic Pedestal ,Robotic Camera Control ,Shotoku USA ,Shotoku Broadcast Systems ,TG-18i ,TR-XT Control System ,LiveView ,TG-27 ,TI-12 Elevator Unit
Submitted by Desert Moon
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Ikegami Announces Product Lineup for CABSAT 2020 Posted: 18/02/2020
Ikegami Announces Product Lineup for CABSAT 2020

 

 

 

 

Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

 

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

 

 

 

 

Tags: Ikegami Electronics ,broadcast cameras ,4K HDR video monitors ,optical camera links ,medical imaging equipment ,4K hybrid base station ,4K EFP cameras ,4K studio cameras ,8K EFP cameras ,8K studio cameras ,optical camera links ,IP camera links ,fibre came
Submitted by Stylus Media Communications
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